A small-town riff on The Great Gatsby suffers from underdeveloped characters.
An ambitious family’s rise and fall plays out in a small town on the Maine coast.
This debut novel opens with what will also be its last scene: a fancy lawn party and lobster bake on the waterfront property of the Thatch family, prominent in the little town of Damariscotta. A celebration of the Amherst College women’s lacrosse team, of which Allie Thatch is a member, it’s a nice party until local English teacher and lacrosse coach Andrew goes poking around in the house and notices some photos of a burned car with two bodies in it—and then the police show up. The book’s narrator, Andrew was raised in Damariscotta, went away for college and jobs, but has moved his young family back. Andrew sometimes narrates in first person, although much of the story is framed as interviews he does after the day of the party for a book he’s writing. He’s known Ed Thatch since they were teenagers, when Andrew worked for the Lobster Pound, owned by Ed’s father, and Ed treated him like a greenhorn. Ed’s life changed when he met Stephanie LeClair. Although, as one character says, “they don’t come from much,” Steph wants nice things and Ed wants her to have them. Circling between past and present, the book recounts how they get them. While he’s fishing for lobsters, Ed starts burglarizing the posh summer homes along the shore during the off season. From there, it’s a quick slide into smuggling drugs from above the Canadian border. Meanwhile, Steph goes to college and becomes the town’s manager and unofficial mayor, ironically dubbing it “Maine’s Safe Haven.” Their son, EJ, becomes a cop, mainly so he can protect his family’s criminal enterprises. It looks like Allie might just make a step up socially and out of Damariscotta altogether after she gets a lacrosse scholarship. But then that party happens. White handles suspense and a complex plot well, but the characters don’t quite come into focus—it’s never clear why Ed and Steph find each other so compelling, and Allie, who serves as a motivation for many of her family’s actions, is a blank herself until very late in the book.
A small-town riff on The Great Gatsby suffers from underdeveloped characters.Pub Date: June 7, 2022
ISBN: 978-0-593-24315-2
Page Count: 336
Publisher: Hogarth
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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