A romantic yet historically evocative depiction of two pioneering women’s intertwined lives.
In 1926, at New York’s Bellevue Hospital, a young nurse sacrifices her career and later the love of her life to save a premature baby who will become her daughter.
“To qualify as a nurse, I must master it all,” Althea Anderson reflects of her profession’s scientific requirements. “But to serve as one, I must pretend I know none of it.” In 1926, in a male-dominated obstetrics ward, she sees premature babies, their parents typically poor, consigned to die because, as one doctor says, “It is not our place to question God’s plan,” even though a doctor in Coney Island is saving such infants daily by putting them in incubators...and displaying them as a sideshow to fund his initiative. Haunted by one child’s death in particular, Althea smuggles another newborn, who weighs a little over 2 pounds, out of the hospital and places her in the admirable care of Dr. Couney at Luna Park. “Live babies!” the barker tells the boardwalk crowd. “All the world loves a baby!” Inside, however, all is calm and competence, and Margaret thrives. And Althea’s life, already altered by a single act of mercy, becomes one of secrecy and sacrifice. “Love makes us do things we would not otherwise consider,” one character observes, and though the novel occasionally strays into such sentimental clichés, Althea remains an engaging and convincing heroine. As does Stella Wright, the novel’s other narrator. A young special education teacher in 1950, Stella confronts that era’s brand of male callousness and societal bigotry with its undercurrents of eugenics and racism. Still mourning her recently deceased mother and disturbed by her husband’s wartime PTSD, Stella is drawn back into her mother’s past, where true identities and destinies are deftly revealed. “She made me who I am,” Stella realizes, “and I need her help to figure out who I can become....”
A romantic yet historically evocative depiction of two pioneering women’s intertwined lives.Pub Date: Aug. 10, 2021
ISBN: 978-0-593-32804-0
Page Count: 336
Publisher: Putnam
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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