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THE NATURE OF THE BOOK

PRINT AND KNOWLEDGE IN THE MAKING

A scholarly investigation of printing’s early cultural history in England. In 1979 Elizabeth Eisenstein published a massively influential book entitled The Printing Press as an Agent of Change. Books, she said, enabled a stable and fixed culture of learning that uniquely facilitated the rise of scientific knowledge-making. Now Johns (Sociology/Univ. of Calif., San Diego) aims to revise her findings in his own learned (if exaggeratedly contentious) study of books and publishing in the 16th, 17th, and 18th centuries. In contrast to Eisenstein, he argues that a multiplicity of competing and idiosyncratic cultures of print emerged during that era and that the conditions of knowledge were far from uniform. While he concedes it to be true that printed books stabilized texts and led to a degree of fixity in available knowledge, Johns proposes that a variety of cultural contingencies undermined what in retrospect has seemed to be the objectivity of early modern scientific thought. Not least among these contingencies were the rampant and labyrinthine practices of book piracy, a circumstance that undermined the authority and authenticity of print. Johns also suggests that different printers and booksellers developed different models of accrediting and appraising the trustworthiness of books. Much is made of the lively rivalries among the various factions, and the fates of various scientific books and writers are explored in copious detail, including those of Sir Isaac Newton, Tycho Brahe, and others. It is Johns’s overall strategy to emphasize the cultural and social factors that shaped the realm of the printed word, and in particular to underline the role that the mobile concept of “trust” (as opposed to verifiable fact) played in defining the culture of print that has come down to us. Relying on detailed knowledge of original texts and a magisterial view of the enormous secondary literature, Johns has written a fine-grained study with considerable force of argument. (125 photos, 3 line drawings)

Pub Date: Oct. 1, 1998

ISBN: 0-226-40121-9

Page Count: 707

Publisher: Univ. of Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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ME TALK PRETTY ONE DAY

Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.

The undisputed champion of the self-conscious and the self-deprecating returns with yet more autobiographical gems from his apparently inexhaustible cache (Naked, 1997, etc.).

Sedaris at first mines what may be the most idiosyncratic, if innocuous, childhood since the McCourt clan. Here is father Lou, who’s propositioned, via phone, by married family friend Mrs. Midland (“Oh, Lou. It just feels so good to . . . talk to someone who really . . . understands”). Only years later is it divulged that “Mrs. Midland” was impersonated by Lou’s 12-year-old daughter Amy. (Lou, to the prankster’s relief, always politely declined Mrs. Midland’s overtures.) Meanwhile, Mrs. Sedaris—soon after she’s put a beloved sick cat to sleep—is terrorized by bogus reports of a “miraculous new cure for feline leukemia,” all orchestrated by her bitter children. Brilliant evildoing in this family is not unique to the author. Sedaris (also an essayist on National Public Radio) approaches comic preeminence as he details his futile attempts, as an adult, to learn the French language. Having moved to Paris, he enrolls in French class and struggles endlessly with the logic in assigning inanimate objects a gender (“Why refer to Lady Flesh Wound or Good Sir Dishrag when these things could never live up to all that their sex implied?”). After months of this, Sedaris finds that the first French-spoken sentiment he’s fully understood has been directed to him by his sadistic teacher: “Every day spent with you is like having a cesarean section.” Among these misadventures, Sedaris catalogs his many bugaboos: the cigarette ban in New York restaurants (“I’m always searching the menu in hope that some courageous young chef has finally recognized tobacco as a vegetable”); the appending of company Web addresses to television commercials (“Who really wants to know more about Procter & Gamble?”); and a scatological dilemma that would likely remain taboo in most households.

Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.

Pub Date: June 1, 2000

ISBN: 0-316-77772-2

Page Count: 288

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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