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KISS CARLO

A delightfully sprawling comedy full of extended families, in all their cocooning warmth and suffocating expectations.

Calla Borelli inherited her love of the theater from her father, Sam, but directing only Shakespeare plays in 1949 might spell the end of her beloved Borelli theater.

Trigiani (All the Stars in the Heavens, 2015, etc.) uses the motifs of the Bard’s plays—orphans, star-crossed lovers, family feuds, and mistaken identities—and the Borelli theater stands at the center of all the action. She has crafted a world of warm, lively characters whose charming idiosyncrasies lead them to collide and ricochet along the way to love. Orphaned at 5, Nicky Castone was lovingly folded into his Aunt Jo and Uncle Dom’s family in South Philly. Now 28 and a WWII veteran, he works in the family cab business, which competes with his Uncle Mike’s business across town, since Dom and Mike have been feuding since 1933. When he’s not squiring Peachy DePino, his fiancee of seven years, he moonlights at the Borelli theater as a prompter and anything else Sam and Calla need. One fateful night, however, two leads of Twelfth Night are called away, leaving Nicky and Calla to take the stage for Sebastian and Olivia’s marriage scene, and chemistry ignites. Of course, Nicky and Calla don’t know they are in love yet. First, the course of love must be strewn with obstacles: Frank, Calla’s boyfriend, who wants to demolish the failing theater; Peachy, who objects to Nicky’s breaking off their engagement; Mr. DePino, who also objects and whose threats of violence inspire Nick to flee town. Nick volunteers to drive a telegram to Roseto, Pennsylvania, but instead of delivering the message, he decides to impersonate Ambassador Carlo Guardinfante of Roseta Valfortore, Italy, a decorated WWII veteran who can no longer attend the Roseto Jubilee given his sudden illness. Chaos ensues.

A delightfully sprawling comedy full of extended families, in all their cocooning warmth and suffocating expectations.

Pub Date: June 20, 2017

ISBN: 978-0-06-231922-7

Page Count: 544

Publisher: Harper/HarperCollins

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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REGRETTING YOU

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

When tragedy strikes, a mother and daughter forge a new life.

Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

Pub Date: Dec. 10, 2019

ISBN: 978-1-5420-1642-1

Page Count: 400

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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