A somber reflection on an increasingly hostile world.
As the world dies, the remnants of the patriarchy and their minions keep right on terrorizing the weak.
Caustically original in the same fashion as her chilling Tender Is the Flesh (2020), Bazterrica’s latest devises an end-of-the-world scenario with a Handmaid’s Tale vibe. The most palpable tragedy is that no matter how the world dies, women always seem to end up with the same sorry fortune. The story is set in an unknown wasteland where all the animals on Earth have perished, with callouts to a mysterious, poisonous haze and a collapsed world. Our narrator is a young woman relegated to sheltering in the House of the Sacred Sisterhood, an isolated, fundamentalist order subservient to an unseen, deity-like “He,” and divided into strict castes. Among these are the Enlightened, kept isolated from the rest of the order behind a mysterious black door; the Chosen, divine and devoted prophets who are ritually mutilated; and the servants marked by contamination, who sit just below the narrator’s caste, the unworthy young women. The story is a little tough to follow due to the narrator’s fragmented memory, not to mention lots of interruptions from the old ultraviolence and body horror. Although men are banned from the cloistered stronghold, it’s a relentlessly sadistic and violent society ruled by the Superior Sister, enforcer of His will and the instrument of punishment up to and including torture and death. The narrator is already mourning Helena, a spirited iconoclast who couldn’t survive under such oppression, when a new arrival named Lucía sparks fresh hope that may prove as fruitless as everything else in this bleak testament to suffering. As a subversion of expectations and an indictment of unchecked power, it’s unflinching and provocative, but readers expecting a satisfying denouement may be left wanting.
A somber reflection on an increasingly hostile world.Pub Date: March 4, 2025
ISBN: 9781668051887
Page Count: 192
Publisher: Scribner
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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