Timely, important work about a concept key to understanding contemporary geopolitics.
A prominent Chinese artist/activist in exile explores censorship by examining the role it has played in his life.
In this collection of 20 short essays, Ai muses on the “irreconcilable conflict” between the “human values and rights” he openly champions and the suppressive tactics employed by the Chinese government. The censorship he has experienced since 2009—and which he documents throughout the book with black-and-white documentary-style photographic images—has included having his name “disappeared” from public and artistic spheres throughout China. Yet he is quick to also point out that censorship is not exclusive to authoritarian regimes and “exists everywhere,” including liberalized democratic societies. In the United States, for example, it exists more subtly as “self-censorship.” American capitalism uses “wealth, safety and comfort” as “core values upon which to construct…public discourse”: Any expression that deviates from those values risks being called out as posing a “threat” to both social and personal liberty. Ai suggests that part of what makes censorship in any social context so insidious is the way it frames itself ideologically as normal, necessary, and justifiable. He further argues that the rise of Big Tech (and especially AI) has only magnified the power of censorship by enhancing and refining methods of surveillance. He writes, “[e]ffortless and precise, [new technologies hold] the potential to eliminate any dissenting thoughts and behaviours.” Perhaps most concerning of all is the way censorship creates a space for “fake news” meant to confuse citizens and rob them of confidence in both media and institutions. The end result is a society that “abandon[s] the pursuit of truth altogether.” As it defines censorship, Ai’s book eloquently defends self-expression as essential to both human freedom and the pursuit of a meaningful life.
Timely, important work about a concept key to understanding contemporary geopolitics.Pub Date: March 3, 2026
ISBN: 9780500030820
Page Count: 88
Publisher: Thames & Hudson
Review Posted Online: Dec. 24, 2025
Kirkus Reviews Issue: Feb. 1, 2026
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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