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THE WIFE'S TALE

A PERSONAL HISTORY

A flawed but richly evocative tale of family and international history.

A Guardian journalist tells the story of her Ethiopian grandmother’s remarkable life.

In this ambitious, elegantly descriptive, but occasionally disjointed narrative, Edemariam interweaves the story of her grandmother Yetemegnu's eventful life with the tumultuous history of Ethiopia. Yetemegnu was born in the northern Ethiopian city of Gondar in 1916. Born into a well-respected family, she was married off to Tsèga, a 30-year-old “nonentity” of a priest “from the sticks” of neighboring Gojjam before she was 10 years old. Against expectation, however, Tsèga proved his worth to Yetemegnu’s family by petitioning for, and earning, the position of chief priest of Gondar from the Ethiopian empress at the time, Zewditu, a year after his marriage. Edemariam’s grandmother saw her husband’s fortunes rise with the coming of a new ruler, the Emperor Haile Selassie, as she entered motherhood in her early teens. By the time she had given birth to her sixth child and buried a son, Italy had invaded Ethiopia and declared war on its former “ally in the Horn of Africa,” Britain. After Italy left and Selassie returned from exile, Yetemegnu witnessed her husband’s fall from political grace, his imprisonment for supposed “plots against the emperor,” and his death shortly after his release. The newly widowed mother of nine fought to successfully convince the emperor to restore her land that Tsèga’s enemies had stripped from her family while stubbornly refusing to remarry. Yetemegnu then watched her children begin lives in lands as far away as Canada while Ethiopia descended into a long and bitter civil war. At times profoundly lyrical and other times fractured and difficult to follow, Edemariam's book offers a glimpse into a singularly fascinating culture and history as it celebrates the courage, resilience, and grace of an extraordinary woman.

A flawed but richly evocative tale of family and international history.

Pub Date: March 20, 2018

ISBN: 978-0-06-213603-9

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 7, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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