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CALLING THE MOON

16 PERIOD STORIES FROM BIPOC AUTHORS

A powerful, vibrant, and empowering celebration of an important milestone.

Sixteen short stories and poems from well-known and award-winning authors explore how young people experience and celebrate their periods.

The protagonists in this excellent, accessible middle-grade collection are all tweens and teens who are Black, Indigenous, and people of color with different cultural and faith-based beliefs, traditions, and reservations about their periods. Christina Soontornvat’s sweet and funny opening story, “The Rules of the Lake,” places a sixth grader’s first period during a much-anticipated field trip to a lake. In Ibi Zoboi’s touching “Bloodline,” 12-year-old Adjoa participates in a New Moon Rebirth ceremony in which she receives a special gift passed down from mothers to daughters in her family. Erin Entrada Kelly’s “Mother Mary, Do You Bleed?” follows a Filipina American Catholic girl who contemplates whether Jesus’ mother also had her period. While most of the stories are heartwarming and emphasize renewal and rest, the authors also delve into how their characters deal with challenges like sexism, racism, microaggressions, immigration, religion, deadnaming (one character is nonbinary), addiction, divorce, and grief. Guadalupe Garcia McCall’s emotionally resonant “Ofrendas,” for example, features three sisters, 10, 12, and 13, reeling in the aftermath of their mother’s sudden death. This is a memorable anthology featuring uniformly strong entries from broadly diverse voices that delve into the subject matter in ways ideally suited to the target audience.

A powerful, vibrant, and empowering celebration of an important milestone. (letter from the editors, resources) (Anthology. 9-13)

Pub Date: March 28, 2023

ISBN: 978-1-5362-1634-9

Page Count: 368

Publisher: Candlewick

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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