Enjoyable if at times overly earnest.
A week of soul-searching and lovemaking among Yale alumni in New York.
"Tate, meet my mother and father, Bitsy and Thatcher. Mom and Dad, this is Tate Pennington." Still recovering from a recently broken engagement, Smith Anderson has brought her new boyfriend home for Thanksgiving at her parents' estate in the Hamptons, a spread that includes a helipad, twin tennis courts, and a bakery. With characters whose names are straight out of The Official Preppy Handbook; a cast that includes a life coach, a personal organizer, a bird-watching guide, and a guy who made millions on an app called PhotoPoet; two couples in the precarious process of finding love; and a big family wedding involving all of them on deck, Rowley's debut novel seems set to be a comedy of manners among the fancier young New Yorkers. But it's quite serious, actually. The narrative is loaded with literary and ornithological information, includes epigraphs from folks like Darwin, Kierkegaard, and Robert Lowell, and features characters who worship E.B. White and Henri Cartier-Bresson. Clio Marsh’s mother committed suicide less than a year earlier after a long struggle with bipolar disease, a truth she's having trouble confronting and sharing with her boyfriend. Clearly, the novel wants to be a lot more than a lighthearted love story. Yet it's most successful in its less serious or pedantic moments. Particularly clever are the artifacts from the characters' lives: a New York magazine review of Clio's bird-watching walks in Central Park, a list of Smith's life-coaching goals, an interview with Tate about his app from the Yale Alumni Review, a few college application essays, and a letter found at the bottom of a box of keepsakes.
Enjoyable if at times overly earnest.Pub Date: Feb. 9, 2016
ISBN: 978-0-06-241331-4
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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