A definitive account of a jazz icon in which the level of detail will interest only superfans.
A colossally detailed account of the legendary saxophonist.
In this meticulously researched biography of Sonny Rollins (b. 1932), Levy, the author of Dirty Blvd.: The Life and Music of Lou Reed, documents a 65-year career through conversations drawn from nearly everyone who interacted with Rollins. The saxophonist’s central place in the history of jazz means that he played with a list of luminaries that spans generations. We hear about his interactions with early idols like Coleman Hawkins and Lester Young, his work with contemporaries Miles Davis and Thelonious Monk, and his later mentorship of younger players like the Marsalis brothers. While completists will be thrilled with the in-depth chronicle of exactly which songs were played with which musicians at which concert dates, others will find that these frequent asides make the text read like a very long track list. Levy’s obsession with complete documentation also means that we only come to appreciate Rollins’ fascinating personality through the sheer weight of repeated anecdotes instead of synthesis on the part of his biographer. The portrait of Rollins the activist, yogi, and perfectionist genius that emerges frequently borders on hagiography, though the author gradually manages to convey the essence of an artist driven by a relentless spiritual quest to improve himself. Fans who are only familiar with Rollins’ late-1950s hard-bop golden age (particularly the classic album from which the book’s title is drawn) will be delighted to discover more about his later evolution. In fact, Levy's greatest contribution is his extensive account of the dissatisfaction that led to Rollins’ decision to practice on the Williamsburg Bridge for more than a year as well as the attention paid to the less-well-known work that followed. In this sense, Levy’s book counts as a success, since its endless supply of superlatives can still inspire and guide readers to listen afresh to Rollins’ huge catalog of recordings.
A definitive account of a jazz icon in which the level of detail will interest only superfans.Pub Date: Dec. 6, 2022
ISBN: 978-0-306-90279-6
Page Count: 752
Publisher: Hachette
Review Posted Online: Oct. 4, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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