by Aiko Ikegami ; illustrated by Aiko Ikegami ‧ RELEASE DATE: Oct. 1, 2019
Although wordless, this deftly expresses our simple need to build connections that can endure across a galaxy.
Friendship can truly be out of this world.
A pale-faced, antennaed intergalactic explorer zooms through space in a red and blue rocket. Landing in the countryside on Earth, the visitor first discovers a colorful, welcoming world. But in town, the color disappears, and gray adult humans stride past one another, staring at their handheld devices. Only the explorer is still shown in color, staring up in bewilderment and lost in the sea of gray. Ignored, the explorer sits alone until an Asian-presenting human child offers a red crayon and paper. Together they draw pictures and fold them into paper airplanes that fly through the air, until the human’s becomes stuck in a tree. The explorer uses a gadget first to rescue the airplane and again when the child’s ice cream falls off its cone. When the explorer receives a message on the gadget and gets back into the rocket, the two friends say goodbye. Once home, however, the explorer misses the friend left behind on Earth and sends a star-studded message of greeting—the only word in the book. Vivid illustrations are often multipaneled, like a graphic novel, and vary in perspective for storytelling and cinematic effect. The presumably adult explorer and human child are similarly short and sturdily built, lending them a pleasing visual consonance.
Although wordless, this deftly expresses our simple need to build connections that can endure across a galaxy. (Picture book. 4-8)Pub Date: Oct. 1, 2019
ISBN: 978-1-939547-58-3
Page Count: 34
Publisher: Creston
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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