A crafty, twist-laden tale that effectively introduces a complex fantasy series.
In this debut fantasy, a young woman dreams of a magical realm and learns about her connection to it.
Krystal Monarain is an amateur photographer who works at Dahlia’s Tea and Book Shoppe in Colorado. Lately, she’s been dreaming of a manor filled with fantastical individuals who are unable to see her. One night, a man with half of his face badly scarred does spot her. This is Draqa, loyal employee to Gov. Sius Mavell Evi. Draqa explains to Krystal that she’s “soul-traveling” to the fae world of Arai and that she must be half fae. Krystal is stunned because she does indeed have pointed ears that she hides beneath her hair. As they enjoy each other’s company, Draqa suggests visiting her world of Taevalear one day—just before an alarm clock wakes her. Krystal resumes her humdrum life until one day, at an outdoor market, she encounters Draqa. He’s arrived via a secret forest Gate. She learns more from him, including that she shares her surname with a minister who was assassinated 24 years ago. More information whets Krystal’s appetite for adventure, but Draqa is forbidden from bringing anyone through the Gate. When she sneaks through after him, Krystal discovers entanglements of which she’s never dreamed. Fenn’s fantasy series opener adds pleasant twists to several genre tropes, including that Arai is not a medieval world but is on pace technologically with Taevalear. There are, for example, solar panel devices known as sonnesand personal communication devices called aspectacasters. Unfortunately, Arai also features prejudice against groups like the “yilura,” who can be jailed for “shapeshifting without a permit.” Casual readers may feel inundated by the narrative’s political aspects, which arrive in force early on. Patience is needed as the story arc of Ambassador Javis Zevos slowly intertwines with that of the protagonists. Krystal’s relationship with Javis changes as she begins dreaming of his tragic past, which reveals a battered soul. And while Draqa is often appalling, as when he says, “A random child is not that important,” the author carefully redeems him. A surprising epilogue foreshadows darker happenings in the sequel.
A crafty, twist-laden tale that effectively introduces a complex fantasy series.Pub Date: April 30, 2022
ISBN: 978-0-578-38842-7
Page Count: 452
Publisher: Self
Review Posted Online: April 22, 2022
Kirkus Reviews Issue: June 15, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
