Senator Gore (Tennessee), who was known as the environmental candidate for the Democratic presidential nomination last time around, says here that he strayed from that concentration when pollsters steered him onto other issues—and that he now has redirected himself to saving the earth. His book is not just another roundup summary of threats to the environment, though it does include chapters on water problems, deforestation, and the genetic erosion of the global food supply, but it's a seemingly heartfelt attempt to understand and convince those (politicians and public) who deny the urgency of the problems and the need to act. Gore has a roundabout way of making his points, often diluting amazing quotes, facts, and stories by presenting them as examples or asides within the abstract frameworks he constructs in his indirect way of approaching the issues. He is fond of analogies, but the analogies can be stretched far beyond their value to illuminate—as in an entire chapter, ``Dysfunctional Civilization,'' that goes on at length about dysfunctional families, addiction, and co-dependency. And instead of using the familiar as analogy to clarify a difficult concept, he often does the opposite—for example, calling on chaos theory and Einstein's Theory of Relativity (``Bear with me'') to help us recognize the threshold for dramatic change in our relationship to the environment. Yet on particular issues he often gets caught up in conventional thinking and fails to cut through with fresh ideas. Gore's concluding recommendations for a global environmental strategy work as a thoughtful position paper but are unlikely to inspire politicians or popular action. Which, however, is not to dismiss the desirability of getting Gore's agenda in motion. So consider buying the book, displaying it, and hoping for the best.
Pub Date: Jan. 22, 1992
ISBN: 0-395-57648-2
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1991
Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
A well-researched but dull account of the hungry, unkempt days of early television. Written by film director Ritchie (The Candidate, etc.), the book shows the chaotic beginnings that justified the once widely held belief that this gimmicky new technology had no future. A fuzzy picture was first telecast on a bulky monitor with a tiny screen in the 1920s by Philo T. Farsworth, a high school student in rural Utah. But it would be another 20 years before television was taken seriously in America. Ritchie chronicles many of TV's historic firsts. In 1927, for example, future president Herbert Hoover was the first public official to speak in front of a ``televisor'' in Washington D.C., while his wife appeared from New York. They were followed by a comedian in black-face who called his routine ``a new line of jokes in negro dialect.'' Television's first commercial was illegal, but this did not stop broadcasters from soliciting commercials. NBC earned seven dollars in 1937 for simply showing the face of a Bulova watch. Many of the early (live) commercials were more than artistic disasters: A newly invented ``automatic'' Gillette safety razor would not open on camera, and the hostess of a Tenderleaf tea commercial mistakenly lauded the quality of Lipton tea. The first television newscasts were also tentative affairs. News was considered the exclusive domain of radio, of which television was then a poor cousin; CBS's first newscast featured Lowell Thomas talking in front of a stack of sponsor Sonoco's oil cans. The BBC was technologically ahead of US companies, but it abruptly stopped transmission (in the middle of a Mickey Mouse cartoon) when WW II broke out. A historical video would be better than written narrative for this material. The 77 black-and-white photos provided here hold the nonspecialist's attention, while the text rarely does.
Pub Date: Oct. 30, 1994
ISBN: 0-87951-546-5
Page Count: 280
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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