Overall, half enjoyable, half unpalatable.
Time travel thriller, complete with suicidal hero, crazy girlfriend and mad, bad scientist: Averill’s debut.
Tak O’Leary made a name for himself as the daredevil host of a TV reality show where he would tackle extreme environments accompanied only by a knife and a cameraman. Eventually, he lost everything. He’s ready to hang himself in a crummy New York hotel room when the phone rings: It’s Judith Halford, executive of the Axon Corporation, offering him a job as an explorer. What she doesn’t yet tell him is that he’ll he exploring alternate realities, courtesy of a time machine invented by evil supergenius Charles Yates. Tak takes the job. Four years later, Tak understands that Yates is uninterested in exploration; instead, he wants to destroy all the timelines, leaving only one called the Beautiful Land, where the occupant—Yates himself—can create his own reality by the power of thought. Yates has already destroyed most of the alternate timelines by bringing in weird and apparently unstoppable birdlike entities whose only purpose is to kill. Tak wants to save the world, but he also wants to save the love of his life, Samira Moheb, an Iranian-American driven mad by the horrors she witnessed as a translator during the Iraq War. So, he steals a portable version of the time machine and sets off to find Samira, who thinks he hanged himself four years ago. Much of this, and what ensues, is exciting and often touching, although the semicomic tone sits uneasily among the horrors. There’s a huge structural problem, too; Averill constructed his backdrop to fit the plot, with the result that the time travel ideas lack logic and rigor. Yates is an absurdly stereotypical figure. Where do the mysterious bird-things come from, and what makes them impossible to defeat? And what does a wish-fulfillment reality have to do with time travel?
Overall, half enjoyable, half unpalatable.Pub Date: June 4, 2013
ISBN: 978-0-425-26527-7
Page Count: 368
Publisher: Ace/Berkley
Review Posted Online: May 3, 2013
Kirkus Reviews Issue: May 15, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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