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THE WEED THAT STRINGS THE HANGMAN’S BAG

A gloriously eccentric cast of characters, from Flavia’s dad, whose stamp collection is bankrupting the ancestral digs, to...

Almost 11 and keen on poisons, Flavia de Luce gets a second chance to broaden her lethal knowledge.

Roused from a detailed fantasy of her own funeral by a nosy jackdaw and the sound of a woman weeping, Flavia encounters Mother Goose—or so the pretty redhead introduces herself. Actually Nialla only plays the role in Rupert Porson’s puppet show, currently bogged down with van trouble. The vicar of Bishop’s Lacey suggests a mechanic and puts the puppeteer and his assistant up with the Inglebys at Culverhouse Farm. Rupert will repay the help by staging his production of “Jack and the Beanstalk” at St. Tancred’s parish hall. Oddly, although Rupert claims never to have met the Inglebys before, his Jack puppet bears the face of their son Robin, deceased five years ago in what a 1945 inquest termed misadventure. Inspector Hewitt, whose first acquaintance with Flavia (The Sweetness at the Bottom of the Pie, 2009) solved a murder, must wait patiently once more while Flavia chats up the neighbors, breaks into the library, researches the past, washes down scones, horehound candies and cucumber sandwiches with tea, and sabotages a box of chocolates meant for one of her tormenting sisters.

A gloriously eccentric cast of characters, from Flavia’s dad, whose stamp collection is bankrupting the ancestral digs, to her sisters Ophelia and Daphne, who tell Flavia she was a foundling. There’s not a reader alive who wouldn’t want to watch Flavia in her lab concocting some nefarious brew.

Pub Date: March 1, 2010

ISBN: 978-0-385-34231-5

Page Count: 384

Publisher: Delacorte

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Jan. 1, 2010

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LITTLE COMFORT

Hill’s debut is a chilling psychological thriller with an unusual heroine and a page-turning storyline.

A woman who uses her research skills to track down missing people finds herself over her head in a dangerous case.

Hester Thursby has taken a leave from her library job at Harvard to help her boyfriend, Morgan, care for Kate, the little daughter of Daphne, his twin sister and Hester’s best friend. When she gets a call from Lila Blaine of New Hampshire, who wants her to find Sam, the brother who’s been missing for 12 years, she’s attracted by the promise of mental stimulation and extra money. Lila gives Hester a stack of postcards from all over the United States, each composed of photos her brother presumably took himself and a single sentence. Sam ran away with Gabe DiPursio, a 14-year-old foster child who was staying with Lila and him at the time. Lila admits the reason she wants to find Sam is because she’s selling a valuable piece of lake property. After talking to Gabe’s former foster mother and the social worker he had at the time, Hester, using the most recent postcards as clues, discovers that Sam and Gabe are living in Boston, where Sam’s posing as Aaron Gewirtzman, a young college graduate who was killed in an accident. She doesn’t know that the pair have left a trail of disaster in their wake: Sam has used his charm and good looks to hook up with wealthy women while Gabe uses his computer skills to raise money to tide them over between marks. Sam’s currently preoccupied by the wealthy socialite he’s dating, but Gabe, who meets Hester when she scopes them out by pretending to be looking for an apartment to rent, becomes totally fixated on her. Real danger threatens Hester when she learns too much about their past and present.

Hill’s debut is a chilling psychological thriller with an unusual heroine and a page-turning storyline.

Pub Date: Aug. 28, 2018

ISBN: 978-1-4967-1590-6

Page Count: 304

Publisher: Kensington

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: June 15, 2018

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WHO SPEAKS FOR THE DAMNED

A suspenseful tale of hypocrisy, greed, and cunning finally overcome by social conscience.

A pair of Regency sleuths take on a miscarriage of justice in the past that leads to murders in the present.

Sebastian St. Cyr, Viscount Devlin, despises injustice in every form, and his wife, Hero, is a committed reformer even though her father, Lord Jarvis, is cousin to the Prince Regent and a major power behind the throne (Who Slays the Wicked, 2019, etc.). Shortly after Hero spots a child watching their house, Devlin’s valet, Jules Calhoun, goes out and returns with news that someone he knows has been murdered. Nicholas Hayes, youngest son of the late Earl of Seaforth, was convicted of murder, sent to Australia, and thought to have died. But now he’s returned with Ji, a child he’s brought from China, only to be stabbed to death with a sickle in Pennington’s Tea Gardens. Why would Hayes risk his life to return to England, where he would be hanged if caught? The question plagues Devlin as he reconsiders the evidence that led to the conviction of Hayes. He revisits the scandal that was hushed up back when Hayes was accused of kidnapping the daughter of a wealthy man and shooting to death a married woman on whom he’d reportedly set his eye. The other suspects, all wealthy and well-connected, include Hayes’ cousin Ethan, who’s succeeded to the title since Hayes' two older brothers died before their father, and the Comte de Compans, whose wife he was convicted of killing. The more he learns of Hayes, the more Devlin is convinced he was an innocent man who took the blame for things he never did, including kidnapping Theo Brownbeck’s daughter, Katherine, with whom he was actually eloping and whom Brownbeck immediately married off to Sir Lindsey Forbes, a power in the East India Company. Hayes’ murder is followed by the deaths of several of his enemies. If Hayes were alive, Devlin would suspect him; since he’s not, Devlin and Hero risk their lives following clues no one wants to see uncovered.

A suspenseful tale of hypocrisy, greed, and cunning finally overcome by social conscience.

Pub Date: April 7, 2020

ISBN: 978-0-399-58568-5

Page Count: 336

Publisher: Berkley

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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