Those Twinings cans may be decorative, but the history of their contents is not always so pretty, even as it makes for an...
Somewhat stiff but unfailingly informative history of tea, from the widow and son of a tea planter.
Though the Macfarlanes’ prose cannot be said to be as liquid as its subject (“The idea of adding a leaf to boiling water, however, is not a very obvious one, and certainly not an option open to the monkeys . . . that first consumed tea”), the story of tea can’t help but fascinate due to the sheer scope of its influence. Tea played a critical role in the evolution of Japanese porcelain and British ceramics; it fueled the expansion of the British Empire and the Industrial Revolution, keeping workers alert beyond the toil and drudgery. It both soothes and invigorates, and its medicinal properties are little short of miraculous: antiseptic and antibacterial, tea “lowers cholesterol levels, reduces blood pressure, helps strengthen the walls of arteries, and consequently reduces the level of strokes and heart disease.” It may inhibit cancer and diabetes; the simple boiling of its water helped free humans of waterborne disease. What really captures the reader’s attention, though, is the authors’ description of the tea plantation, palatial for the managers, squalid and miserable for the workers, from the early colonial farms in Assam to contemporary tea plantations. (The Macfarlanes concentrate on India, though circumstances can't be much different in Sri Lanka, Java, or China.) Tea pickers are mostly women, harvesting approximately 3,000 shoots an hour, “co-ordinated into a reaching-plucking-and-depositing set of movements every second or less for many hours a day, six days a week.” They also reap boredom, rotten pay, occasional rape by employers, and the opportunity to be held in contempt by their colonial masters, who once described Indians, for example, as “chilarky . . . a word that covered lying, cheating and a general (innate, of course) inability to resist being saucily devious.”
Those Twinings cans may be decorative, but the history of their contents is not always so pretty, even as it makes for an absorbing read. (14 b&w illustrations)Pub Date: April 12, 2004
ISBN: 1-58567-493-1
Page Count: 308
Publisher: Overlook
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2004
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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