A lively account, but lacking in analysis.
Crawford (Thunder on the Right, not reviewed) gives us a rollicking good tale of the downfall of an 18th-century maiden.
On September 16, 1774, Nancy Randolph was born into one of the most powerful families in colonial Virginia. She grew up with all the privileges of the gentry, and all the expectations, too. Considered a great beauty, she had been raised to snag the scion of another good Virginia family—but she sparked the most sordid sexual scandal of the Revolutionary era instead. At 18, she was accused of seducing Richard Randolph, her sister’s husband, and then coercing him into killing the baby she gave birth to nine months later. Richard and Nancy both declared their innocence, claiming that shiftless slaves had invented the story out of whole cloth. Richard admitted he had been most attentive to his pretty sister-in-law, but he denied sleeping with her. He spent a small fortune procuring the services of Patrick (“give me liberty or give me death”) Henry to represent him in court, and he was acquitted—but to no avail: Nancy’s name was mud. Men who had once fought to dance with her haughtily declared that they’d never lay a hand on her again. Now known as the Jezebel of Virginia, she moved north, settling in New York and marrying renowned New York politician Gouverneur Morris. Her son eventually built a church in her honor—St. Ann’s of Morisannia (the parish Jonathan Kozol recently wrote about in Ordinary Resurrections, p. 453). Crawford tells Nancy’s story in fast-paced, page-turning prose, but she fails to explain the lasting significance of this scandal. Is Nancy’s saga just a good yarn, a quaint, 18th-century version of Monicagate? Or is there more here than picturesque entertainment? It’s far from clear.
A lively account, but lacking in analysis.Pub Date: Nov. 9, 2000
ISBN: 0-684-83474-X
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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