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THE THREE WISHES

A CHRISTMAS STORY

A lump of coal for this one.

An unusual origin story for Santa Claus.

“Long, long ago in the very north a group of people lived with the reindeer.” Snow never states that the nomadic people in his story are Sami, but he does nothing to keep readers from making the association. The story relates how, one winter solstice, the main character, an unnamed boy, discovers the family’s precious reindeer are missing. He goes out into the snow to find them, following them into a cave that leads deep underground to a magical land of Summer. It’s guarded by three creatures who tell the boy he may never return to his home but who grant him three wishes. He asks for freedom, happiness, and time—experiencing them once each year when he is permitted to return to his family and their clan, who lie in suspended animation during his visit. Each year he leaves gifts, even decorating the inside of their lodge. One year, a guardian of Summer gives him a feather that will enable his reindeer to fly, and on another, anticipating his visit, his family leaves him a red suit trimmed in white. It’s all very clever, but in borrowing the traditional habits of the Sami and failing to clarify that his mythmaking is original, Snow risks clouding many readers’ understanding of a real, extant, and marginalized culture. (This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at 68.6% of actual size.)

A lump of coal for this one. (Picture book. 5-8)

Pub Date: Nov. 3, 2020

ISBN: 978-1-84365-386-8

Page Count: 48

Publisher: Pavilion Children's

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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HOW TO CATCH A LOVEOSAURUS

From the How To Catch… series

Sugary uplift, shrink-wrapped for the masses.

An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.

Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)

Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)

Pub Date: Dec. 6, 2022

ISBN: 9781728268781

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 17, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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