This bleak debut features violence and abuse so unrelenting that they quickly become routine. Blanca is in the hospital after a suicide attempt. Sections telling of her adulthood and attempts by the hospital staff to help her are interspersed with the sad story of her early life, beginning with her journey from Puerto Rico to New York City as a child. Benevolent adults are as believable as Santa Claus in Blanca's world. Her grandmother Paquita beats her often. Her father sexually molests her and threatens to kill her if she tells anyone. When she and Paquita return to Puerto Rico quite suddenly, Blanca first has some trouble readjusting, although she is once again thrust into a familiarly abusive environment. A bookworm, Blanca incurs the uneducated Paquita's wrath. In Puerto Rico she undergoes an illegal abortion and, at 17, begins an affair with a married man whose wife confronts her—not to challenge her but to say that should she decide to prosecute her lover for statutory rape, she would testify, since she too was 17 when she took up with him. Eventually they wed, and Blanca has a daughter. She divorces him after four years, when—in a dose of unexpected magical realism—an acacia instructs her to do so. Blanca is not a quick learner, though, and she falls in love with her boss at the Department of Justice, another married man. After graduating from college, she and her daughter, Ta°na, head to Boston, where Blanca will study at Harvard's Graduate School of Education. Ta°na experiences her mother's linguistic confusion in reverse, Blanca feels confused and lost, and pretty soon she decides to commit suicide—no surprise, since the book ends back where it started. Aside from the sparse hospital scenes, which stand out because they are more tangibly detailed, this suffers from an overheated style and adds little to the literary exploration of displacement. Multiculturalism cannot disguise a lack of originality.
Pub Date: March 1, 1995
ISBN: 1-55885-125-9
Page Count: 199
Publisher: Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1995
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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