Heartfelt and capably written, but a distinctly minor contribution to mob lit.
Or, Papa was an Al Capone.
Roy DeMeo was not a nice man. A loan shark and auto thief, he graduated to contract murder in the 1970s, becoming a capo of the Gambino family and racking up a toll of more than 200 victims. Yet, in the eyes of his young son Albert, “No one could have asked for a better father than mine. . . . He could pick me up and throw me around as effortlessly as a cotton ball, and he often did. . . . I wasn’t exactly sure what my father did for a living, and I didn’t care. I just liked being with him.” Gradually, he acquired more than a few inklings of what his father did in fact do for a living: the expensive gifts and $100 bills at his first communion and the looks of fear on neighbors’ faces eventually tipped Albert off, and adolescence brought more than the usual amount of rejection of the previous generation’s mores. After his father died—“shot seven times in the face and hands,” a helpful policemen tells Albert’s mother—and his old crew moved in to divide the spoils, Albert began to look more closely into his father’s life, seeking some explanation for who murdered him and why. Pressured by federal agents to cooperate in their investigation and turn informant, hounded by mobsters fearful that he would do just that, 18-year-old Albert developed bleeding ulcers and a profound dislike for the Mafia. Some of what he reveals in this so-so memoir will be of interest to students of organized crime, but there are many better insider accounts available; and while writing it must have been a cathartic experience, the reader will not forgive such mawkish moments as when Albert puts on a pair of his father’s old shoes and concludes, “I had my own shoes to wear, my own journeys to take.”
Heartfelt and capably written, but a distinctly minor contribution to mob lit.Pub Date: Aug. 20, 2002
ISBN: 0-7679-0679-9
Page Count: 288
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
Skilled and graceful exploration of the soul of an astonishing human being.
Full-immersion journalist Kidder (Home Town, 1999, etc.) tries valiantly to keep up with a front-line, muddy-and-bloody general in the war against infectious disease in Haiti and elsewhere.
The author occasionally confesses to weariness in this gripping account—and why not? Paul Farmer, who has an M.D. and a Ph.D. from Harvard, appears to be almost preternaturally intelligent, productive, energetic, and devoted to his causes. So trotting alongside him up Haitian hills, through international airports and Siberian prisons and Cuban clinics, may be beyond the capacity of a mere mortal. Kidder begins with a swift account of his first meeting with Farmer in Haiti while working on a story about American soldiers, then describes his initial visit to the doctor’s clinic, where the journalist felt he’d “encountered a miracle.” Employing guile, grit, grins, and gifts from generous donors (especially Boston contractor Tom White), Farmer has created an oasis in Haiti where TB and AIDS meet their Waterloos. The doctor has an astonishing rapport with his patients and often travels by foot for hours over difficult terrain to treat them in their dwellings (“houses” would be far too grand a word). Kidder pauses to fill in Farmer’s amazing biography: his childhood in an eccentric family sounds like something from The Mosquito Coast; a love affair with Roald Dahl’s daughter ended amicably; his marriage to a Haitian anthropologist produced a daughter whom he sees infrequently thanks to his frenetic schedule. While studying at Duke and Harvard, Kidder writes, Farmer became obsessed with public health issues; even before he’d finished his degrees he was spending much of his time in Haiti establishing the clinic that would give him both immense personal satisfaction and unsurpassed credibility in the medical worlds he hopes to influence.
Skilled and graceful exploration of the soul of an astonishing human being.Pub Date: Sept. 16, 2003
ISBN: 0-375-50616-0
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
Erudite writing from an author struggling to find meaning through music.
An Ohio-based poet, columnist, and music critic takes the pulse of the nation while absorbing some of today’s most eclectic beats.
At first glance, discovering deep meaning in the performance of top-40 songstress Carly Rae Jepsen might seem like a tough assignment. However, Abdurraqib (The Crown Ain’t Worth Much, 2016) does more than just manage it; he dives in fully, uncovering aspects of love and adoration that are as illuminating and earnest as they are powerful and profound. If he can do that with Jepsen's pop, imagine what the likes of Bruce Springsteen, Prince, or Nina Simone might stir in him. But as iconic as those artists may be, the subjects found in these essays often serve to invoke deeper forays into the worlds surrounding the artists as much as the artists themselves. Although the author is interested in the success and appeal of The Weeknd or Chance the Rapper, he is also equally—if not more—intrigued with the sociopolitical and existential issues that they each managed to evoke in present-day America. In witnessing Zoe Saldana’s 2016 portrayal of Simone, for instance, Abdurraqib thinks back to his own childhood playing on the floor of his family home absorbing the powerful emotions caused by his mother’s 1964 recording of “Nina Simone in Concert”—and remembering the relentlessly stigmatized soul who, unlike Saldana, could not wash off her blackness at the end of the day. In listening to Springsteen, the author is reminded of the death of Michael Brown and how “the idea of hard, beautiful, romantic work is a dream sold a lot easier by someone who currently knows where their next meal is coming from.” In all of Abdurraqib’s poetic essays, there is the artist, the work, the nation, and himself. The author effortlessly navigates among these many points before ultimately arriving at conclusions that are sometimes hopeful, often sorrowful, and always visceral.
Erudite writing from an author struggling to find meaning through music.Pub Date: Nov. 14, 2017
ISBN: 978-1-937512-65-1
Page Count: 288
Publisher: Two Dollar Radio
Review Posted Online: Oct. 1, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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