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BURIED BLUEPRINTS

MAPS AND SKETCHES OF LOST WORLDS AND MYSTERIOUS PLACES

Lorenz and Schleh (House, 1998, etc.) have wonderfully imagined 14 places or structures made famous by myth and legend, offering wry commentary and myriad details to pore over. This book literally starts at the beginning, covering the Garden of Eden, the Ark, and the Tower of Babel; Lorenz and Schleh travel with Odysseus around the Aegean and with Robin Hood and his men through Sherwood Forest, wreak havoc with Genghis Khan, and foster menace with Dracula. Each locale is given a page-long introduction, before a gatefold page reveals an outsized illustration elegantly crammed with detail, incident, and witticisms (so much so that a magnifying glass has been included). The utterly transporting artwork is a marvel of color and visual narrative, with plenty of humor (Noah’s ark comes equipped with methane vents), quietly biting commentary (the page of the Ark is bordered by drawings of endangered species), and quests that readers can embark on within the illustrations. Within these pages are funny details for the Where’s Waldo? set, with a sophisticated comedic embrace for older children, and some set pieces, dry as tinder, that will spark laughter in onlooking adults. (Picture book. 7+)

Pub Date: Nov. 1, 1999

ISBN: 0-8109-4110-4

Page Count: 56

Publisher: Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1999

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THE UNTOLD HISTORY OF THE UNITED STATES

Preaching to the choir, perhaps, but an invigorating sermon all the same.

Zinn-ian conspiracy theories, propounded engagingly and energetically by filmmaker and gadfly Stone and Cold War scholar Kuznick (History/American Univ.).

If you’ve read Howard Zinn—or if, like Jeff Lebowski, the Port Huron Statement is still current news for you—then you’ll have at least some of the outlines of this overstuffed argument. Premise 1: Though the United States may pretend to be a nice, cuddly sort of democracy, it’s the font of much trouble in the world. Premise 2: When, post-9/11, neocons began pondering why it wouldn’t be such a bad idea for the U.S. to become an imperial power, they were missing a train (or Great White Fleet) that had pulled out of the station long ago. Premise 3: We like European fascists better than Asian fascists, as evidenced by propaganda posters depicting our erstwhile Japanese foes as rats and vermin. Premise 4: War is a racket that benefits only the ruling class. Premise 5: JFK knew more than he had a chance to make public, and he was gunned down for his troubles. And so forth. Layered in with these richly provocative (and eminently arguable) theses are historical aperçus and data that don’t figure in most standard texts—e.g., the showdown between Bernard Baruch and Harry Truman (“in a colossal failure of presidential leadership”) that could only lead to a protracted struggle between the U.S. and the Soviet Union for post–World War II dominance. Some familiar villains figure in as well, notably the eminently hissable Henry Kissinger and his pal Augusto Pinochet; the luster of others whom we might want to think of as good guys dims (George H.W. Bush in regard to Gorbachev), while other bad guys (George W. Bush in regard to Saddam Hussein) get worse.

Preaching to the choir, perhaps, but an invigorating sermon all the same.

Pub Date: Oct. 30, 2012

ISBN: 978-1-4516-1351-3

Page Count: 784

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 23, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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CITY OF ANGELS

Whirls of tiny, brightly dressed people’some with wings—fill Kleven’s kaleidoscopic portraits of sun-drenched Los Angeles neighborhoods and landmarks; the Los Angeles—based authors supply equally colorful accounts of the city’s growth, festivals, and citizens, using an appended chronology to squeeze in a few more anecdotes. As does Kathy Jakobsen’s My New York (1998), Jaskol and Lewis’s book captures a vivid sense of a major urban area’s bustle, diversity, and distinctive character; young Angelenos will get a hearty dose of civic pride, and children everywhere will find new details in the vibrant illustrations at every pass. (Picture book/nonfiction. 7-10)

Pub Date: Oct. 1, 1999

ISBN: 0-525-46214-7

Page Count: 48

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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