An exceptionally engaging US debut, and first novel, from the Chilean Fuguet (who's published another novel and a story collection in his native land) just might signal a new stage in Latin fiction: a post-boom natural realism that finds North American precedent not in Faulkner (the hero of Garc°a M†rquez et al.) but in Salinger. If Fuguet's self-absorbed young narrator, Matias Vicunas, was really as bored and pathetic as he claims, his narrative wouldn't be the delightfully garrulous adventure in self-discovery it is. Seventeen and alienated, Matias is pissed off and antisocial, a true rebel without a clue. So he indulges in the best illicit stuff he can: sex, drugs, and (bad) rock-and-roll. Among Chile's ``golden children''—the privileged kids of the conservative ruling class- -Matias seems hellbent on trouble. Unlike his friends, he's uninterested in nurturing a career, and he finds no comfort in politics, as his disaffected elders once did. In fact, Fuguet smartly allows Matias's one sympathetic teacher—a sexy lit prof— to reveal herself as a political clichÇ and a rabid left-wing anti- Semite. Which is particularly important because Matias begins to take pride in his family's great secret: his mother's Jewish ancestors. Disgusted by the affected Catholicism of her family, Matias is equally grossed-out by his handsome father and his swinging social set of hypocrites who reserve vice only for their own class, though a father and son debauch (with good coke and expensive hookers) does bring them closer. Like Holden Caufield, with whom he identifies, Matias craves ``innocence,'' since he's ``not that complicated. Really.'' The time-warping soundtrack, the slangy translation, and the cool pop references help affirm Fuguet's sense of 1980s Chile as America in the '50s. Here is what the new economic prosperity engenders culturally, he implies, and thank goodness we have such a clever novelist to guide us.
Pub Date: April 9, 1997
ISBN: 0-312-15059-8
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1997
BOOK REVIEW
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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