Inspiring reading for anyone seeking to overcome intellectual defeat in any realm.
Nearing his eighth decade, a New Yorker writer decides to confront his math phobia.
"A lifetime doesn’t seem sufficient to the task. Some things I had to learn were so challenging for me that I felt lost, bewildered, and stupid.” So reflects Wilkinson, who admits that the challenge he set himself—to master or at least become comfortable with algebra, geometry, and calculus—was a kind of grudge match meant to avenge his first encounter, back in high school, with a smackdown that would “knock the smile off math’s face.” It turns out that math’s smile is as enigmatic as Mona Lisa’s. It also turns out that math has a philosophical dimension few adolescents are likely to pick up but that lends itself to mature reflection. As Wilkinson observes, math remains the same, but people change. “In Book 7 of Republic,” he writes, “Plato has Socrates say that mathematicians are people who dream they are awake. I partly understand this, and I partly don’t.” Many other mysteries are resistant to easy solution, but as Wilkinson slogged through the material, recognizing that math is both a kind of language and religion, he appreciated more and more of its philosophical nature. He was often stumped by the problems he faced. “To be unable to fulfill an intellectual task is frustrating,” he writes, but regardless, he doggedly worked his way up to calculus, there to find that, again, he sort of understood it—at least more than he thought he would. In the end, what Wilkinson learned from math and its adepts—including one brilliant mind who applied his skills not in academia but in the World Series of Poker—was not just solving problems, but a humility “forced on me by engaging in a pursuit that I appear to be unfitted for.”
Inspiring reading for anyone seeking to overcome intellectual defeat in any realm.Pub Date: July 12, 2022
ISBN: 978-1-250-16857-3
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 22, 2022
Kirkus Reviews Issue: May 15, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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