Inspiring reading for anyone seeking to overcome intellectual defeat in any realm.
Nearing his eighth decade, a New Yorker writer decides to confront his math phobia.
"A lifetime doesn’t seem sufficient to the task. Some things I had to learn were so challenging for me that I felt lost, bewildered, and stupid.” So reflects Wilkinson, who admits that the challenge he set himself—to master or at least become comfortable with algebra, geometry, and calculus—was a kind of grudge match meant to avenge his first encounter, back in high school, with a smackdown that would “knock the smile off math’s face.” It turns out that math’s smile is as enigmatic as Mona Lisa’s. It also turns out that math has a philosophical dimension few adolescents are likely to pick up but that lends itself to mature reflection. As Wilkinson observes, math remains the same, but people change. “In Book 7 of Republic,” he writes, “Plato has Socrates say that mathematicians are people who dream they are awake. I partly understand this, and I partly don’t.” Many other mysteries are resistant to easy solution, but as Wilkinson slogged through the material, recognizing that math is both a kind of language and religion, he appreciated more and more of its philosophical nature. He was often stumped by the problems he faced. “To be unable to fulfill an intellectual task is frustrating,” he writes, but regardless, he doggedly worked his way up to calculus, there to find that, again, he sort of understood it—at least more than he thought he would. In the end, what Wilkinson learned from math and its adepts—including one brilliant mind who applied his skills not in academia but in the World Series of Poker—was not just solving problems, but a humility “forced on me by engaging in a pursuit that I appear to be unfitted for.”
Inspiring reading for anyone seeking to overcome intellectual defeat in any realm.Pub Date: July 12, 2022
ISBN: 978-1-250-16857-3
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 22, 2022
Kirkus Reviews Issue: May 15, 2022
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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