An unbalanced but still rewarding collection that paints a vivid picture of navigating a hostile world together and alone.
Anxiety from daily encounters with racism and homophobia plague the transracial gay couple at the heart of this debut story collection.
Varela’s second book, after The Town of Babylon (2022), experiments with form and point of view—employing first-, second-, and third-person in various stories—but returns again and again to the New York City lives of Eduardo, a public health expert of Salvadorian and Colombian heritage, and his White husband, a coder named Gus. The Eduardos and Guses encountered throughout the collection are not from a singular timeline or moment in their histories, however. “Grand Openings” offers a litany of different life paths for the pair, including polyamory, separation, untimely deaths, and differing relationships with their children. Individual stories offer more subtle variations—naming a child Julio versus Jules, a marriage ended by opening the relationship versus a marriage ended by Eduardo’s frustrated retreat from a discriminatory world, a basil plant thriving or dying. The imagery may appear pedestrian (except in the standout “All the Bullets Were Made in My Country,” which includes the story of the mythic L’Ampara), but the prose shines throughout, with razor-sharp specificity about human nature and an entrancing rhythm. The stories are not constructed with equal precision, though, so the endings of some feel haphazard, and there are occasional instances of overly obvious moralizing. Nevertheless, the collection shows a writer of impressive imagination continuing to deepen his craft.
An unbalanced but still rewarding collection that paints a vivid picture of navigating a hostile world together and alone.Pub Date: April 4, 2023
ISBN: 9781662601071
Page Count: 256
Publisher: Astra House
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Though uneven, this is still a pleasurable, comforting read.
Infertility, family secrets, and alpacas all figure in Quindlen’s latest meditation on mothering and domesticity.
Polly’s life looks enviable. Happily married to the adoring Mark—a vet at the Bronx Zoo—she teaches English at a private Manhattan girls’ school and loves her work. She has a protective older brother and close girlfriends, who’ve formed a book club where no one is expected to read the book. But Polly desperately wants a child and, at 42, knows time is running out. She and Mark have gone through endless fertility treatments, to no avail. Meantime, Polly’s friends have given her a DNA kit as a jokey birthday gift, and something mysterious shows up in the test results. Then, out of nowhere, a young woman contacts her, suggesting they may be related. That’s not all: Polly feels estranged from her mother, a revered judge who’s insufficiently maternal in her daughter’s view. Her father has always cherished her, but he’s in a nursing home now with a rapidly failing mind. And something is amiss with her best pal, Sarah. Quindlen’s trademark empathy is evident throughout, and her wry humor leavens some of the serious goings-on. Early on, Mark and Polly visit a fertility clinic with photos of babies in the waiting room; for Polly, “it felt…like a Weight Watchers facility with hot fudge sundae pictures on the wall.” Then we meet these charming alpacas, humming and pronking, on a farm run by an earth mother, whose wisdom will help Polly get on with her life. The plot swerves around a bit, there may be one surplus narrative thread (e.g., Polly’s star student Josephine running aground after graduation), and at the end, the author ties things up too neatly, pushing the “circle of life” theme too hard.
Though uneven, this is still a pleasurable, comforting read.Pub Date: Feb. 24, 2026
ISBN: 9780593734605
Page Count: 256
Publisher: Random House
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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