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THE CREATIVE DESTRUCTION OF NEW YORK CITY

ENGINEERING THE CITY FOR THE ELITE

The author’s argument would benefit from more specific policy recommendations, but it still offers much for urban activists...

A searching look at how New York changed from a place of affordable (if tiny) walk-ups to a playground for the ultrawealthy.

A sadly characteristic moment in the transformation of New York into a byword for unaffordability was a moment of extreme excess: In 2011, a Russian billionaire paid $88 million for a 10-room apartment for his 22-year-old daughter who would only use it when she was visiting the city. That’s at a far remove from Busà’s experience, arriving from an already expensive Berlin to find affordable if somewhat timeworn digs in Greenwich Village—but then, when chased out by raising rates, to move from one spot after another in Brooklyn, which itself has priced most of the middle class out of the market. The result is that in 2014, “almost 60,000 people filed applications for 105 affordable units in Greenpoint,” and, the next year, “over 80,000 people found themselves applying for 38 newly built affordable units in Brooklyn.” New York is now a brand as much as a place, an evolution that, by Busà’s account, began in the aftermath of the fiscal crisis of the 1970s and has been carried out through several mayoral administrations. The latest, he charges, led by the putatively left-populist Bill de Blasio, has been distressingly consistent with the policies of the Bloomberg and Giuliani years. Busà locates much of the change in the Bloomberg decade in power, when nearly half of New Yorkers paid more than 30 percent of their incomes, and one-fifth of them as much as 75 percent, for the privilege of living there. Despite de Blasio’s “mainstream curriculum,” Busà holds that meaningful reform is possible, that “the elite city is a policy choice, not some inevitable God-given mandate.”

The author’s argument would benefit from more specific policy recommendations, but it still offers much for urban activists and disaffected Gothamites to chew on.

Pub Date: Sept. 1, 2017

ISBN: 978-0-19-061009-8

Page Count: 304

Publisher: Oxford Univ.

Review Posted Online: June 13, 2017

Kirkus Reviews Issue: July 1, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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