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WHITE HORSE

A woman on the run ponders the nature of humanity as she lives through the end of the world.

Readers have gleefully suffered through the End of Days in a good many apocalyptic novels in recent years. Whether it’s zombies in World War Z, robots in Roboapacalypse or vampires in The Passage, writers suffer no shortage of inventive ways to kill us off. What debut novelist Adams brings to the scene in a planned trilogy is an unhinged but disquietly clear perspective on survivor’s guilt and the grimy nature of humanity. “It’s not just college grades that fall in a curve,” observes 30-year-old American refugee Zoe. “Human decency is bell-shaped, with some of us slopping over the edges.” Adams ramps up our end days in an increasingly horrifying amplification of events: a Chinese intervention of cellular technology; weather modification experiments gone awry; and a DNA-warping virus that halves the population at an astonishing rate. Zoe is making her way across Europe, hoping to book passage on a boat to Greece, but it’s hard traveling, especially when she discovers she’s pregnant. She and a young companion are beset by bands of predators and are stalked by a shadowy figure dubbed “The Swiss,” a murderous abortionist driven by a startling secret. With uncommon confidence, Adams flips back and forth between the present day and Zoe’s life before. She dreams of a container of horrors straight out of the Pandora myth, pieces together the (naturally) man-made origins of the plague and recounts her relationship with Nick Rose, her therapist. Adams has an excellent sense of timing, delivering gasp-inducing moments that punctuate her nightmare with verve. But it’s Zoe’s clear-eyed sense of self-preservation that will keep readers waiting for Adams’ follow-up. The novel relies heavily on biblical and Greek myths to welcome readers to Zoe’s nightmare, but it’s a small price to pay for the jolt.

 

Pub Date: April 10, 2012

ISBN: 978-1-4516-4299-5

Page Count: 256

Publisher: Emily Bestler/Atria

Review Posted Online: March 6, 2012

Kirkus Reviews Issue: March 1, 2012

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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THE WOMAN IN CABIN 10

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.

Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Pub Date: July 19, 2016

ISBN: 978-1-5011-3293-3

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: May 2, 2016

Kirkus Reviews Issue: May 15, 2016

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