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THE SHADOW PATROL

Berenson’s highly enjoyable series continues with more of the rock-solid same.

Former CIA tough guy John Wells is back, and this time he’s busting a heroin-smuggling ring operating out of an isolated Army base in Afghanistan.

After a disastrous meeting with his estranged son, Wells accepts a freelance mission offered by his old agency boss Ellis Shafer. In the aftermath of a suicide bombing that killed the station chief and several of the best agents in the CIA’s Kabul station, Wells is supposed to go to Afghanistan, see how things are going, then report back to CIA chief Vince Duto. More importantly, there have been reports that a mole in the Kabul station is working with a local Taliban leader, possibly to smuggle heroin. An analyst in the Kabul station thinks a group called the Thuwanis may be the source of the heroin, and that soldiers in the U.S. Army may be involved. Posing as a wealthy Saudi anxious to help fund jihad, Wells visits the Thuwani compound and uncovers some key information. But as he and Shafer unravel the threads of the conspiracy, they just can’t seem to figure out a motive, which may have more to do with revenge than money. Fans of Berenson’s previous Wells novels (The Faithful Spy, 2006, etc.) will find more to like here, including plenty of superbly paced action sequences, and the kind of background that suggests a better-than-average understanding of what soldiers on the ground actually see in Afghanistan. Skeptics will continue to roll their eyes at Wells’ superhuman ability to, almost at the drop of a hat, pass for a national from whichever Middle Eastern country best suits his needs. There are also a few too-convenient plot twists, including a head-scratching scene wherein a conspirator in the smuggling ring is discovered thanks to the fact that he has “friended” a co-conspirator on Facebook. However, the prose is airtight, the pacing is excellent and the phenomenal action sequences more than make up for minor weaknesses in the plot.

Berenson’s highly enjoyable series continues with more of the rock-solid same.

Pub Date: Feb. 21, 2012

ISBN: 978-0-399-15829-2

Page Count: 416

Publisher: Putnam

Review Posted Online: Dec. 4, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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THE WOMAN IN CABIN 10

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.

Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Pub Date: July 19, 2016

ISBN: 978-1-5011-3293-3

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: May 2, 2016

Kirkus Reviews Issue: May 15, 2016

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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