An engrossing and thought-provoking, if uneven, courtroom tale.
Two defense attorneys fight a case against long odds.
In this third installment of a legal drama series featuring Star Gwiazda and Tadeusz “Zenko” Luczek, Charns turns to the case of an undocumented immigrant on trial for a rape he did not commit. Lawyers Star and Zenko, childhood sweethearts from Michigan who turned into platonic colleagues in North Carolina, are chosen to serve as public defenders for José Martínez, a Salvadoran immigrant accused of raping his girlfriend’s 9-year-old daughter, Mariposa Garcia. The attorneys face an uphill battle, with a hostile judge making their defense difficult and a victim who is clearly lying about the identity of her attacker. Salvadoran gangs, United States foreign policy, and the shifting political climate all contribute to making it hard for Star, Zenko, and José to find justice. Charns has created a pair of compelling protagonists whose similarities (both suffer from mental illnesses controlled by treatment) and differences (Star is resolutely atheist while Zenko’s Roman Catholicism shapes his worldview) make them effective foils for each other. The dark screwball comedy of their interactions can be a delight to read. (The subtle humor is also evident in an effective scene where Zenko, after a frustrating day in court, takes great pleasure in ordering his dog, named Judge, to sit.) The courtroom scenes are well done, blending technical details with plot development. But other parts of the text are not as well developed: The pacing is uneven and the secondary characters are somewhat flat. Mariposa, in particular, seems uncaring or malicious until her reasons for lying are revealed in the book’s final pages. In addition, the story describes the physical effects of her violent rape in graphic detail, which some readers may find excessive. Still, Charns does a good job of presenting the case as a micro-level instance of the harm done by official incompetence, preconceived notions, and U.S. involvement in El Salvador, allowing the novel to explore broad themes of justice.
An engrossing and thought-provoking, if uneven, courtroom tale.Pub Date: Dec. 26, 2021
ISBN: 979-8790837807
Page Count: 114
Publisher: Independently Published
Review Posted Online: Feb. 23, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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