Why does a seemingly nice boy become violent? Narrator Paul, an “army brat,” starts with many counts against him. His parents have recently divorced, his military father has rejected him, and his mother relies on Paul for serious emotional support. Mother and son have moved so that the mother can take a low-paying office job at an exclusive Christian high school. But as an employee’s son, Paul is harassed by the nasty rich kids, with the exception of a non-conformist named Binky. When Charlie (a golden boy with a Machiavellian nature) befriends him, Paul will do anything to be part of his popular crowd. It’s clear to the reader, and spelled out by Binky, that Charlie is using Paul, ultimately to commit a crime that lands Paul in the justice system. Unfortunately, Charlie’s motivations are obscure. Is he angry with his pushy parents? Or just naturally evil? Paul has reasons to lash out, but he is excessively clueless, apparently because he was home-schooled, and is not especially likable. All adults are portrayed as selfish and irresponsible, including the administrators who ignore a decapitated dog and a suicide at the school. But even with his bleak surroundings, it’s hard to believe Paul would carry out the terrible felony. The story does build suspense, and teenagers will recognize cruel aspects of high school, but unlike Flinn’s Breathing Underwater (2000), which broke new ground about date violence, this novel is just one more variation on the familiar theme of paying a high price for popularity. (Fiction. YA)
Pub Date: May 1, 2002
ISBN: 0-06-623847-1
Page Count: 224
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2002
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A fantasy with complex characterization that will build anticipation for the next entry.
Three young people find their places in a world of vengeance and destiny in National Book Award winner Tahir’s duology opener set in the multicultural world of her An Ember in the Ashes series.
Aiz, from the impoverished nation of Kegar, seeks revenge against Tiral bet-Hiwa, an air squadron commander who, as a child, murdered Aiz’s fellow orphans. Guided by a voice claiming to be Mother Div, Kegar’s first queen, Aiz escapes imprisonment after her failed assassination attempt on Tiral and embarks on a journey to free Mother Div’s trapped spirit. In the Martial Empire, Sirsha, a skilled tracker with magical abilities who’s been banished from her homeland, is saved by a stranger who hires her to hunt an unnatural killer. Quil, the crown prince of the Martial Empire, faces an invasion by the Kegari and the lingering threat of a mysterious force responsible for recent murders, including those of two of his loved ones. As the storylines converge, Sirsha and Quil cross paths, leading to revelations about the insidious force. The story explores the blurred line between good and evil and the lengths one will go to for a better life. Tahir’s deep and intricate worldbuilding requires time for readers to fully grasp. Following a slow start, the plot engages as pieces fall into place, leading up to an unexpected ending. The beautiful writing compensates for the romantic relationships, which develop quickly and somewhat inorganically.
A fantasy with complex characterization that will build anticipation for the next entry. (Fantasy. 14-18)Pub Date: Oct. 1, 2024
ISBN: 9780593616949
Page Count: 496
Publisher: Putnam
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
SEEN & HEARD
SEEN & HEARD
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