Though loosely plotted, this dragon fantasy is unlike any other.
Fantasy adventure starring a swordsman and a female dragon.
Outside the medieval village of Ely, two men and a dwarf brag about raping and murdering a young girl. They also carry a chest containing the harvest stone, a priceless treasure belonging to the villagers. Suddenly, a vagabond swordsman leaps out and slays them. He returns the chest to Marshal Gibling, whose daughter fell victim to the thieves. The vagabond—who refuses to give his name—is surprised to see Ely’s human and dragon population living harmoniously together. After leaving Ely, he encounters a young female dragon living alone in a cave. Her name is Emerald, and she’s starving; the vagabond feeds her and reveals his name to be Akron. The next morning, Emerald’s father, Gowan, finds them and orders Akron to accompany him to King James, who wants to know why the council (which licenses the use of magic) is hunting Akron. King James, however, has designs of his own for the four surrounding kingdoms; he looks askance at humans and dragons cooperating. As Emerald and Akron embark on a journey toward the truth about their world, they discover themselves in the process. Gordon (The Other Side of Dark, 2015) sets up an undeniably compelling story in which humans and dragons share not just civilized society, but unrequited love as well. Emerald will charm readers as she blushes bright green and struggles with her love for Akron. The narrative also uses her neglected upbringing to embellish a theme of child abandonment. A few passages—“His heart begins to see Emerald not as scales and feathers, but as a woman, one his mind desires to please”—illustrate that true love, once ignited, can’t be tamped down. Other fascinating elements include various forms of magic, such as the ability to summon roots like limbs from the ground. The tale’s main flaw is its episodic feel, with smaller stories told here and there at the expense of plot momentum. Frequent cursing also limits the potential readership.
Though loosely plotted, this dragon fantasy is unlike any other.Pub Date: Jan. 13, 2015
ISBN: 978-1503500648
Page Count: 416
Publisher: Xlibris
Review Posted Online: June 5, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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