by Alex Labry ; photographed by Alex Labry ‧ RELEASE DATE: N/A
An eclectic, exciting collection of photos infused with a wandering curiosity.
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In this book of photographs taken in various states and countries, a man embraces the “flâneur” spirit and presents the vivid subjects encountered on his aimless explorations.
In a brief but effective artist statement, Labry reveals how he got his start: as photography manager for the Texas House of Representatives, where part of his job was “to unobtrusively chronicle the members’ interactions in the House Chamber.” The instrument responsible, a Leica M series film camera, also took the pictures that make up this collection. Years ago, the author dubbed his trusted camera “Nola” in honor of his beloved hometown. While many places are represented in these photos—Berlin, Paris, Texas, Ireland—none is more lovingly and vibrantly captured than New Orleans. “Some of my earliest childhood memories are of natural light,” Labry writes, and his description of the city’s particular glow suggests that there’s no better birthplace for an aspiring photographer. In these 89 photos, he returns again and again to art as a subject. Photos capture murals, paintings, and graffiti, but images of statuary persist throughout the collection. “Statue of Andrew Jackson,” “Statue of Professor Longhair,” “Statue of Slave Girl,” “Statue of Ignatius J. Reilly” are just some Labry has included. Seeing as the artist has already produced a book of photos of Joan of Arc statuary, this is clearly an abiding interest for him. But the images of people are the true standouts. “Fast Food” and “Jackson Square” both capture folks slumped on benches; “French Quarter” shows a man playing a guitar on a stoop. “Mardi Gras” depicts an older man and a young boy intimately conferring in what looks like the bed of a truck. These beautiful images are evidence of Labry’s excellent eye for human figures and how they occupy space and frame. In this volume, the living are more exciting subjects than the inanimate. The author writes: “All photographs are as much or more about their creator than the thing photographed.” These works tell readers their creator is a keen and compassionate observer of a city’s human denizens.
An eclectic, exciting collection of photos infused with a wandering curiosity.Pub Date: N/A
ISBN: N/A
Page Count: 99
Publisher: Manuscript
Review Posted Online: Aug. 27, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Review Program: Kirkus Indie
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by Elyse Myers ; illustrated by Elyse Myers ‧ RELEASE DATE: Oct. 28, 2025
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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by David McCullough ‧ RELEASE DATE: Sept. 16, 2025
A pleasure for fans of old-school historical narratives.
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New York Times Bestseller
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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