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THE ANGEL MAKER

A delightfully bone-chilling tale.

The aftereffects of a series of violent attacks reverberate through several families over multiple generations in this British thriller.

Katie Shaw lives with the guilt of not having walked home with her brother, Chris, after high school on the day he was attacked by a stranger with a knife. Chris has never fully recovered from the assault, which left him with multiple visible scars; he's turned to addiction and become homeless. Seventeen years after the attack on Chris, Alan Hobbes, a retired philosophy professor who'd had so much money he hadn't really needed to work, is found stabbed to death in his bed. While investigating the crime, Det. Laurence Page finds footage from a security camera that shows a man in Hobbes' apartment shortly before his death—and recognizes the man as Chris, whose assault Page had also investigated. Even as the police name her brother as a suspect in Hobbes' murder, Katie hears from her mother that Chris has disappeared after a period of stability, seemingly afraid that someone's following him. Given that Katie has also begun to fear that she’s being followed, she reluctantly believes her mother's story and starts her own search for her brother. Even as Det. Page pieces together Hobbes’ history, which included a horrific childhood, and revisits the attack on Chris, Katie is forced to confront the idea that what happened to her brother all those years ago might not have been a random act of violence after all. North's latest thriller does not disappoint, weaving an intriguing cast of characters across multiple time periods into a story rich with layers and plot twists and perfectly suspenseful pacing.

A delightfully bone-chilling tale.

Pub Date: Feb. 28, 2023

ISBN: 978-1-250-75786-9

Page Count: 336

Publisher: Celadon Books

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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WANT TO KNOW A SECRET?

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Character assassination reigns supreme, if not uncontested, in a Long Island suburb.

April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Pub Date: March 3, 2026

ISBN: 9781464249600

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: Dec. 6, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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