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AUBREY MCKEE

The life of a Canadian city is revealed with verve and insight through the colorful stories of some of its inhabitants.

A sensitive young man shares his memories of growing up in Halifax, Nova Scotia.

Though it wouldn’t rank high on any list of well-known literary destinations, Halifax provides a fertile field for Pugsley’s collection of 14 linked stories about his eponymous narrator’s life there from childhood through his early 20s in the mid-1980s. Evoking comparisons in both style and substance to the work of John Irving and Robertson Davies in its assemblage of perceptive, richly detailed character studies, Pugsley’s book succeeds in the task the author sets for his narrator—“to give expression to the lives I encountered, and to make sense of some of the mysteries that seemed to me the city’s truths.” Among the most affecting entries are “Karin,” the story of a young woman with “a knack for making a man feel most alive in her company,” and “Tempest,” the dramatic account of a December hurricane and its tragic consequences in the lives of two of Aubrey McKee’s closest friends. In “Fudge,” Aubrey focuses an unsparing lens on his own life, describing his youthful excursions into his hometown’s outlaw fringe, including drug dealing under the tutelage of the terrifying older teenager Howard Fudge, who served as his “ferryman into these underworld ports of call.” One of McKee’s preoccupations is his friend Cyrus Mair—“whiz kid, recluse, and weirdo”—the scion of a once prominent Halifax family whose spectacular descent into shame and ruin he recounts in the story “Death by Drowning.” It’s too early to tell whether Pugsley will be able to mine sufficient narrative gold from Aubrey McKee’s life for a projected five volumes of autobiographical fiction, but on the evidence of this first entry, there’s good reason to hope there will be more engaging stories like these in the offing.

The life of a Canadian city is revealed with verve and insight through the colorful stories of some of its inhabitants.

Pub Date: June 2, 2020

ISBN: 978-1-77196-311-4

Page Count: 400

Publisher: Biblioasis

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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