A novel of family dysfunction that veers into startling and original territory.
Three sons of alcoholic parents return to an idyllic setting of long-ago trauma.
Fluidly translated from the Swedish by Willson-Broyles, this is Schulman’s first U.S. publication. In a frame story anchoring the narrative, three brothers have convened, after a long absence, at their family cabin on a lake to scatter their mother’s ashes. In the mind of protagonist Benjamin, the middle brother, events and memories spiral and circle in flashback upon flashback—it’s a take-no-prisoners kind of nonlinearity. During childhood summers at the lake, Benjamin, his aloof older brother, Nils, and irascible younger brother, Pierre, get into various scrapes. “Mom and Dad,” as they're always called, exercise minimal supervision between frequent “siestas” and extended cocktail hours, leaving the children to disappear for hours in the woods and nearly drown in the lake. Their parents’ volatility and inconsistent care have fostered an awkward semi-estrangement among the adult siblings, which, at the water’s edge, erupts into a brawl, with their mother’s urn weaponized. Shocks escalate, from the boys’ unthinking cruelty toward a fish to a disastrous family outing on Midsummer Eve to the heist of Mom’s ashes from a crematory. All this may seem over-the-top, but Benjamin’s meditative perspective lends gravitas to the proceedings. His memories hover over one incident he recoils from confronting, even questioning his own sanity to avoid it. A pivotal figure in the novel is the family dog, Molly, a bellwether of unease; she is anxious and seems to only trust Benjamin and Mom. The behavior of Mom in particular is portrayed as classic alcoholic personality disorder; but it slowly dawns on the reader that there is far more to it than that. A final truth emerges, forcing the reader to reevaluate all that has gone before.
A novel of family dysfunction that veers into startling and original territory.Pub Date: Oct. 5, 2021
ISBN: 978-0-385-54756-7
Page Count: 240
Publisher: Doubleday
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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