by Alexander V. Pantsov & Steven I. Levine ‧ RELEASE DATE: Oct. 2, 2012
The Great Helmsman fully fleshed, still complicated and ever provocative.
A comprehensive, authoritative new study that challenges the received wisdom regarding Mao’s relationship with Stalin and the Soviet Union.
With rare access to the newly consolidated Russian State Archive of Social and Political History, Pantsov (History/Capital Univ.; The Bolsheviks and the Chinese Revolution, 1919-1927, 2000) and Levine construct an “up-to-date” take on the Chinese Communist Party and Mao’s rise in it as being essentially dictated by Stalin and financially supported by the Soviet Union through the 1950s. Stalin manipulated Mao to his own ends; only after Stalin’s death and Mao’s increasingly antagonistic relationship with Khrushchev did the Chinese pull away from the Soviet Union as part of an “emancipation of consciousness.” The authors’ detail is minute and the characters proliferate mind-bendingly, especially in the careful reconstruction of Mao’s rise from rube and community organizer to national leader. Pantsov and Levine depict Mao with all his conflicting facets, from the early bookworm and idealist who initially scorned the “stupidity” of the masses, to becoming the party’s self-made prophet on the agrarian question, espousing the proletarian confiscation of land from the landlords. He was a man of enormous energy and capacity for love who was nonetheless hardened by the intraparty struggle against Chiang Kai-shek; he was also a utopian socialist who embarked on the modernization scheme of the Great Leap Forward in 1957 after a stimulating trip to Moscow. The great famine that ensued did not dampen Mao’s enthusiasm for revolutionary incentives, as played out tragically in the Red Guards’ devastation, and his “irrepressible lust for violence” has been largely forgiven by history because he consolidated China’s “national liberation.”
The Great Helmsman fully fleshed, still complicated and ever provocative.Pub Date: Oct. 2, 2012
ISBN: 978-1-4516-5447-9
Page Count: 736
Publisher: Simon & Schuster
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Alexander V. Pantsov with Steven I. Levine
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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