by Alexandra Heminsley ‧ RELEASE DATE: July 4, 2017
A lighthearted book to appeal to fellow swimmers.
Having conquered land as a serial marathoner, the author turns her athletic attentions toward the sea.
In Running Like a Girl (2013), Elle UK books editor Heminsley detailed her physical transformation: “Within five years I had gone from someone for whom any sort of exercise was theoretical—a nice idea, but something for others, for the ‘sporty types’—to someone who had run five marathons”—and someone whose example had encouraged others. At the very least, armchair exercise, like armchair travel, has its own bookish appeal. Seeking another challenge, Heminsley decided on open-water swimming. A little too neatly, she chronicles how her new adventure began on the day she was to “leap in” to marriage, and the immediate aftermath was so calamitous it made her more determined: her betrothed lost his wedding ring to the waves, and flooding filled their flat. She saw the sea as “the enemy. Thief of rings, wrecker of homes, menace to married life….It was the sea versus me, and I would throw everything at this fight, so determined was I not to be the loser.” The fight would involve swimming lessons, pools, rivers, and ultimately competition in the open waters. The author would discover that swimming presented a different set of challenges, perspectives, and techniques to master than running had and that some of what she had developed as a runner would work against her in the water. While she was becoming more adept at swimming in the open water, she and her husband were trying to conceive, so there are plenty of parallels on the body’s potential and one’s mastery over it—and plenty of inspirational exhortations—e.g., “I breathe, I push, I pull. I am.” Yet details of her swimming progress can only engage for so long, and the author devotes the last third of the book to swimming miscellany: the history of swimming, how to learn, what sort of suit and equipment to buy, other books to read, etc.
A lighthearted book to appeal to fellow swimmers.Pub Date: July 4, 2017
ISBN: 978-1-68177-433-6
Page Count: 240
Publisher: Pegasus
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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