by Alexandra Loske ‧ RELEASE DATE: Nov. 5, 2024
An appealing study that uncovers important artistic secrets.
Tools of the trade—and what they reveal.
An art historian and curator, Loske has written several books about her special area of interest, color. In her latest title, she examines 50 painters and their palettes. In many cases, the palettes, which range from polished wood to chunks of cardboard, still exist, and they provide clues about an artist’s method. Most of the book is organized chronologically, starting with artists mixing their paints from powdered pigment and arranging the palette according to a strict tonal scale. The development of premixed paint in metal tubes presaged greater dynamism and more choices of color. Artists who specialized in scenes of fantastic coloring, among them Marc Chagall and Paul Gauguin, understood that the luminosity they were seeking needed subtlety and care, according to the evidence found by Loske. The palettes of Edward Hopper and Georgia O’Keeffe reflected restraint, while Claude Monet’s palette recalls his misty, complex images. Francis Bacon, famously messy, used anything on hand as palettes but was extremely precise when it came to the effects he wanted. Some modernist painters, including Helen Frankenthaler, moved away from the palette to apply liquid paint directly to the canvas. Loske includes a wealth of lushly produced plates to illustrate her points, as well as graphics that show the proportional breakdown of paintings by tone and color. It all makes for an illuminating and attractive book. The palette, she writes, is “a totemic object, a small physical manifestation of the creative spirit of the artist.”
An appealing study that uncovers important artistic secrets.Pub Date: Nov. 5, 2024
ISBN: 9780691263960
Page Count: 256
Publisher: Princeton Univ.
Review Posted Online: Sept. 27, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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edited by Norman Rosenthal ‧ RELEASE DATE: June 3, 2025
A beautifully produced, engaging homage.
Celebrating a beloved artist.
Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”
A beautifully produced, engaging homage.Pub Date: June 3, 2025
ISBN: 9780500029527
Page Count: 328
Publisher: Thames & Hudson
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
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