A queer and fantastical romance that enchants in more ways than one.
Fairy mischief descends on Regency England once again.
The Caesar family occupies a delicate position in 1815 London. They are welcome at most society functions because Lady Mary is the daughter of an earl, but they're kept at arm’s length because her husband is a Senegalese freeman, leaving the family's three children at odds as they enter adulthood. The eldest son, Mr. Caesar, knows he ought to find a career and settle down, but he has no interest in doing so—he's a dandy, plus he's only attracted to men. For the most part, he keeps to the sidelines, until he punches a major in the teeth for insulting the older of his two sisters, Miss Caesar. Not long after, Miss Caesar makes a deal with a fairy that turns her into "the Beauty Incomparable," making the Caesars the center of conversation across London. All this sudden excitement brings Mr. Caesar into repeated contact with Captain Orestes James, a Black man who lives his life much more authentically alongside a steadfast group of soldiers called the Irregulars—which causes Mr. Caesar to imagine other possibilities for his life. And who recounts this complex and quirky story for our mortal enjoyment? Just as in Hall’s Mortal Follies (2023), it’s none other than Robin Goodfellow, still in exile from the court of Oberon and grumpy as ever at having to write up yet another story of foolish mortal behavior in order to make ends meet. (And while this volume stands alone fairly well, it will be best enjoyed after having read the first). His deliciously cruel and flippant voice once again provides a clever framework for the story’s balance of levity and gravity. As “the vagaries of mortal physicality mean little” to Robin, the story is fairly closed-door by Hall’s standards, but there are sparks of chemistry between Mr. Caesar and Captain James. And though the romance often takes a back seat to the grander plot, thanks to piles of rich detail, mythological references, and interactions with the Other Court, readers may not even notice.
A queer and fantastical romance that enchants in more ways than one.Pub Date: Aug. 27, 2024
ISBN: 9780593497586
Page Count: 448
Publisher: Del Rey
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Fresh and upbeat, though not without flaws.
An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.
Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.
Fresh and upbeat, though not without flaws.Pub Date: Sept. 14, 2021
ISBN: 978-0-593-33682-3
Page Count: 384
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
PERSPECTIVES
BOOK TO SCREEN
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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