by Alexis Okeowo ‧ RELEASE DATE: Aug. 5, 2025
Okeowo delivers a portrait of a past-haunted place that is at once empathetic, sad, and troubling.
A native daughter returns to Alabama, a state much misunderstood—and for plentiful reasons.
New Yorker staff writer Okeowo was born in Houston and lived there for her first six years, but her parents, Nigerian immigrants, felt more at home in Alabama. So does she: “Montgomery is the only place I consider my hometown, the place where the bare bones of my self grew and fused together and gently solidified.” Having reported for years in Africa, she finds Alabama a place similarly both “stereotyped and neglected.” There’s cause for that stereotyping, for Alabama harbors sharply antagonistic racial divides—as she wryly notes, every time her aspirational parents moved into a white neighborhood, the whites moved elsewhere, only to find that “Black people followed them there, too.” The divides are real and persistent. One of Okeowo’s chief interlocutors is a descendant of secessionists who “has an unrelenting pride in his story…the kind of pride that still revered the indecency of his elders.” Even so, he tries to connect with her and she with him, “because that’s what you do down here.” Such connections are not always easy to make: By Okeowo’s account, many of Alabama’s Native Americans, few but politically astute and relatively affluent, seem as wary of their Black neighbors as of their white ones, while the white mayor of Montgomery permitted the erection of historical markers relating to slavery only because he reckoned that they would draw tourist dollars. Okeowo ventures theses that Alabamians and others will find fascinating and provocative, among them the thought that the Lost Cause myth was in good part crafted by “certain white women” and that much of the ugliness of Alabama’s past—“Indian removal, the slave trade, Reconstruction, and Jim Crow”—is absent by design from official histories and “public stories.”
Okeowo delivers a portrait of a past-haunted place that is at once empathetic, sad, and troubling.Pub Date: Aug. 5, 2025
ISBN: 9781250206220
Page Count: 272
Publisher: Henry Holt
Review Posted Online: May 29, 2025
Kirkus Reviews Issue: July 1, 2025
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Best Books Of 2017
New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by David Grann
BOOK REVIEW
by David Grann
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
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A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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