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FLASHOUT

An intriguing mystery of youth, folly, and theater.

A drama teacher’s mysterious past comes back to haunt her.

In 1972, New York college student Allison Hayes attends an eccentric performance by Theater Negative, an avant-garde troupe that pushes the boundaries of what’s considered art. She’s immediately mesmerized and finds herself regularly sneaking out of her dorm to go to the group’s meetings, eventually becoming a member under the name Alice Haze when the leader mishears her name. In 1997, Allison is an English and drama teacher at a rich high school in Los Angeles, making enough to take care of her mother and get by. When the school institutes a new method of communicating with parents—email—Allison starts getting anonymous messages from someone who insinuates that they know her from her Theater Negative days, and that they know what she did “that night.” Now Allison must discover who from her past is still around, and still alive, before her old life destroys her new one. Soloski drives the narrative forward by switching almost every chapter between the past and the present, so the reader gradually discovers what happened in 1972 while Allison continues her search for Theater Negative members. Both storylines drop tantalizing hints while pushing forward to their respective climaxes. Although a woman at risk of exposure from her mysterious past might not be the newest idea, the story of Theater Negative—from the strange, cultlike nature of its members to its peculiar performances—is at once completely original and heartbreakingly familiar. The dramatic irony of watching young Allison head into danger from a distance of 20 years later is a gut punch. The pacing hits just right as both revelations—what happened “that night” and the identity of the emailer—wash over the reader.

An intriguing mystery of youth, folly, and theater.

Pub Date: Aug. 5, 2025

ISBN: 9781250883643

Page Count: 288

Publisher: Flatiron Books

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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