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STICKS

A STORY OF TRIUMPH OVER DISABILITY

A real-life Frank Capra tale, just as corny, sentimental and inspiring as It's a Wonderful Life.

Hokey but charming memoir, reminiscent of an afternoon spent flipping through the pages of an antique photo album.

Although an autobiography, Coleman chronicles his life in the third person with a dispassion and modesty remarkable for a novice writer. It is perhaps the era that speaks through his prose—not a child of the "Me Decade," Coleman reminds us that the past was, indeed, more difficult than the present. And people certainly tended to whine a good deal less back then. The account begins chronologically, with his birth in 1902 to pioneer parents, their eighth child. By the time he was nine, the family had moved to their own homestead in Myrtle Creek, Ore. That summer he contracted polio and lost the use of his legs. Overcoming his crippled condition occupied a good portion of his youth, admirably marked by self-reliance and invention. He whittled his own crutches, made violins and, at 19, attempting to find a trade that would accommodate his physical condition, paid a jeweler $25 per month in order to serve as an apprentice to the watchmaker. As a young man in the '20s, he married and became a father, then established himself as sole proprietor of a jewelry store. The narrative is interspersed with photographs, newspaper clippings, Coleman's poems (an unfortunate weakness), musical scores (also not very solid), jewelry designs and the Coleman family tree. At a glance, Coleman’s history, aside from his disability, is not unusual. He becomes one of the leading merchants of a small town, state archery champion, and president of the Lion's Club. His would seem to be the unremarkable chronicle of a small-town success of interest to no one outside his family. Even so, it's his banality that is oddly compelling. Following the ups and downs of the Coleman jewelry store through the Depression, World War II, and the post-war era up until Coleman's death in 1972, is an enjoyable journey through the low-key strength and integrity that sustains middle-American lives. Coleman's son, John Coleman, today runs Coleman's Jewelers, the jewelry store founded by the author, in Corvallis, Ore. (Proceeds from the sale of this book, which has an endorsement from former senator Bob Dole, will go to Rotary International's "effort to eradicate polio" and to the Austin Family Business Program at Oregon State University.)

A real-life Frank Capra tale, just as corny, sentimental and inspiring as It's a Wonderful Life.

Pub Date: N/A

ISBN: 0-9754140-0-3

Page Count: -

Publisher: N/A

Review Posted Online: April 17, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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