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THE THING ABOUT JELLYFISH

A painful story smartly told, Benjamin’s first solo novel has appeal well beyond a middle school audience.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

In middle school, where “Worst Thing” can mean anything from a pimple to public humiliation, Suzy “Zu” Swanson really has a reason to be in crisis: her former best friend has died unexpectedly, and the seventh-grader is literally silenced by grief and confusion.

A chance encounter with a jellyfish display on a school trip gives her focus—for Zu, the venomous Irukandji jellyfish, while rare, provides a possible explanation for the “how” of Franny’s death. And Zu is desperate for answers and relief from her haunting grief and guilt. In seven parts neatly organized around the scientific method as presented by Mrs. Turton, a middle school teacher who really gets the fragility of her students, Zu examines and analyzes past and present. A painful story of friendship made and lost emerges: the inseparable early years, Franny’s pulling away, Zu’s increasing social isolation, and a final attempt by Zu to honor a childhood pact. The author gently paints Zu as a bit of an oddball; not knowing what hair product to use leaves her feeling “like a separate species altogether,” and knowing too many species of jellyfish earns her the nickname Medusa. Surrounded by the cruelty of adolescence, Zu is awkward, smart, methodical, and driven by sadness. She eventually follows her research far beyond the middle school norm, because “ ‘Sometimes things just happen’ is not an explanation. It is not remotely scientific.”

A painful story smartly told, Benjamin’s first solo novel has appeal well beyond a middle school audience. (Fiction. 12 & up)

Pub Date: Sept. 22, 2015

ISBN: 978-0-316-38086-7

Page Count: 352

Publisher: Little, Brown

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: June 1, 2015

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THE BOY AT THE TOP OF THE MOUNTAIN

Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively...

A young boy grows up in Adolf Hitler’s mountain home in Austria.

Seven-year-old Pierrot Fischer and his frail French mother live in Paris. His German father, a bitter ex-soldier, returned to Germany and died there. Pierrot’s best friend is Anshel Bronstein, a deaf Jewish boy. After his mother dies, he lives in an orphanage, until his aunt Beatrix sends for him to join her at the Berghof mountain retreat in Austria, where she is housekeeper for Adolf Hitler and Eva Braun. It is here that he becomes ever more enthralled with Hitler and grows up, proudly wearing the uniform of the Hitler Youth, treating others with great disdain, basking in his self-importance, and then committing a terrible act of betrayal against his aunt. He witnesses vicious acts against Jews, and he hears firsthand of plans for extermination camps. Yet at war’s end he maintains that he was only a child and didn’t really understand. An epilogue has him returning to Paris, where he finds Anshel and begins a kind of catharsis. Boyne includes real Nazi leaders and historical details in his relentless depiction of Pierrot’s inevitable corruption and self-delusion. As with The Boy in the Striped Pajamas (2006), readers both need to know what Pierrot disingenuously doesn’t and are expected to accept his extreme naiveté, his total lack of awareness and comprehension in spite of what is right in front of him.

Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively simple reading level. (Historical fiction. 12-14)

Pub Date: June 7, 2016

ISBN: 978-1-62779-030-7

Page Count: 272

Publisher: Henry Holt

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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I MISS YOU, I MISS YOU!

The sudden death of her twin leaves a teenager struggling with grief and her fragile sense of self in this absorbing, inwardly focused import from Sweden, part fiction, part memoir. So close are the sisters that after Cilla is killed by a motorist Tina can still hear her voice, still see her just by looking in a mirror, still hold conversations; she even finds herself taking on some of Cilla’s character traits, seeking an inner balance that she has lost. Able to describe her experiences only by switching back and forth between third person and first, Tina observes the different ways those around her grieve, and finds temporary solace in many places: reading and writing poetry, performing on stage, playing her violin, trying a brief but intense fling at summer camp, even talking to a perceptive psychologist—but unlike many such stories, there is never any sense here that the authors are running through a catalog of coping strategies, or offering trite platitudes. A year later, Tina discovers that, in forming new friendships and moving on in life, she has passed the worst of her pain, and found ways to distance herself from Cilla without losing her completely. In a smooth, natural-sounding translation, this is a thoughtful, complex reminiscence. (Fiction. 12-15)

Pub Date: March 23, 1999

ISBN: 91-29-63935-2

Page Count: 247

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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