by Alia Dastagir ‧ RELEASE DATE: Feb. 25, 2025
A brilliant analysis of gender-based violence on- and offline.
A journalist explores the causes and effects of online harassment of women.
In 2022 Dastagir wrote a story for USA Today about a man’s childhood experience of sexual assault. She paired the article with “a short companion piece on the science of pedophilia” in an attempt to “better understand violence.” As soon as the piece was published, the author was harassed by hateful trolls. The experience both destroyed her emotionally and inspired her to write this book, which examines what online violence looks like and how it affects mostly female victims. Dastagir profiles a series of women who have experienced harassment, including Representative Leigh Finke, a transgender politician from Minnesota; journalist Taylor Lorenz; and activist Nadya Okamoto. Dastagir uses these cases to illustrate larger trends around the effects of harassment, including physical dysregulation, silencing, and exhaustion. She also ties them to larger feminist struggles, such as the fight to eliminate menstruation taboos, the struggle for abortion rights, and the need to educate white feminists about solidarity. Finally, Dastagir provides ways for women to cope with harassment, including finding a sense of purpose, using humor to deflect pain, and building community and solidarity. She envisions a future in which “our digital spaces were sites of mutual responsibility, scenes of gratitude and reciprocity, rather than ones of dominance and competition.” This is a deeply researched and clearly argued book, and Dastagir’s empathy and forays into her personal life make it particularly effective.
A brilliant analysis of gender-based violence on- and offline.Pub Date: Feb. 25, 2025
ISBN: 9780593727843
Page Count: 304
Publisher: Crown
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
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by Chuck Klosterman ‧ RELEASE DATE: Jan. 20, 2026
A smart, rewarding consideration of football’s popularity—and eventual downfall.
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New York Times Bestseller
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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