by Alida Albert ‧ RELEASE DATE: Sept. 24, 2014
A vivid, honest portrait of an imperfect but intrepid mid-20th-century American family.
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Debut author Albert recalls her brief time in Nigeria as the only child of a father who was lured to British colonial Africa and a mother who reluctantly went along for the ride.
Like so many tales of misadventure, this one begins at the end; it’s a stock technique, but it works for this sentimental, thoughtful memoir. In March 1953, after spending the night in a Kano, Nigeria, jail, Albert’s father secured his release despite his debtor’s wishes—just in time to get himself, his wife, Josie, and their 10-year-old daughter (the author) on the first flight to London. Two years before, Albert’s father, disillusioned by his career in law, decided to uproot the family from their cozy existence in the neighborhood of Jackson Heights in Queens, New York, and become an exporter of lead ore. From the outset, Albert deftly illustrates her portrait of her father as a restless, self-serving man who was convinced that exporting ore from Nigeria would fulfill his greatest desire: to become a wealthy man. On the way to Africa, Albert’s parents casually dumped her off at an English boarding school, not unlike the one that George Orwell wrote about in his autobiographical essay, “Such, Such Were the Joys.” Albert would hear little from her parents, and it wasn’t until five months later that they brought her to Nigeria. The author reconstructs the family’s remaining year and a half there, most of it spent in the city of Jos, using letters between her mother and aunt, and her father and uncle. Each one is rich with details of the family’s daily life in the city; Albert’s father’s calamitous trade and mining negotiations with European-weary village chiefs; and both parents’ emotional struggles with expatriate existence and ultimate financial failure. Yet Albert also infuses the narrative with a deep love and admiration for her parents, which results in deliciously complex portraits. The book could have done without a handful of vague references to “Africans” instead of “Nigerians,” but for the most part, Albert remains vigilant regarding the fraught social atmosphere of colonial Africa.
A vivid, honest portrait of an imperfect but intrepid mid-20th-century American family.Pub Date: Sept. 24, 2014
ISBN: 978-1-5006-9476-0
Page Count: 200
Publisher: CreateSpace
Review Posted Online: Jan. 12, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Review Program: Kirkus Indie
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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