An imperfect but ambitious family saga that invites us to consider the personal and emotional stakes of political choices.
The stories of five generations of Soviet Jewish women come to light as a Brighton Beach family prepares to celebrate an anniversary.
In 1930s Odessa, Daria Gordon seems to have it all. Her new husband, a refined pianist who, to her mother’s delight, hails from a social class slightly above her own, is smitten with her. But their fortunes quickly turn when they and their two daughters are deported as enemies of the state, allegedly having been overheard speaking German. As laborers in Siberia, they encounter extreme hardship, and Daria turns to an unexpected source for help, embarking on a relationship that will indelibly change the course of her family’s life. At this point the narrative jumps to the 1970s and shifts to the perspective of Daria’s granddaughter Natasha, a gifted math student in Odessa whose ambitions are thwarted by state anti-Semitism. Her desire to broaden the horizons of her world, mixed with her infatuation with a charismatic young refusenik, sets her on a path that propels the narrative forward again to the present-day Russian-speaking Brooklyn enclave of Brighton Beach, once more skipping two generations to the perspective of Natasha’s granddaughter Zoe, who is dealing with her own romantic entanglements. The novel’s title, though perhaps unoriginal, is appropriate: With each section, Adams reveals another layer of the matryoshka doll that is Zoe’s history and identity. As the family prepares to celebrate Natasha and her husband’s 45th wedding anniversary, about which Natasha is strangely unenthusiastic, Zoe comes to understand how her foremothers’ choices have brought her family to the present moment. Adams’ prose leaves much to be desired; she often relies too heavily on melodramatic clichés instead of letting the already soap-opera–esque dynamism of her story speak for itself. But ultimately, the novel adds a degree of nuance to a historical narrative that is often flattened: It depicts some of the subtleties and complexities of being a Jew in the Soviet Union, offering a partial corrective to the frequent oversimplification of a chapter of history that is anything but simple. Moreover, it is a compelling example of how deeply personal stories can lie beneath the surface of sweeping histories.
An imperfect but ambitious family saga that invites us to consider the personal and emotional stakes of political choices.Pub Date: July 14, 2020
ISBN: 978-0-06-291094-3
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2020
Kirkus Reviews Issue: July 1, 2020
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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