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SCARED SCRIPTLESS

With a lovable heroine and industry gossip, Sweeney’s latest goes behind the scenes and straight to the heart.

A unique take on workplace romance from the actress-turned-author (The Star Attraction, 2013) whose TV credits include The Biggest Loser and Days of Our Lives.

Maddy Carson’s success as a script supervisor for a popular television series is getting in the way of her personal life. It's easy to see why as Sweeney digs into the minutiae of Maddy's job: “I have a visual record of every prop and how the actor is holding it and every movement they made in the scene,” Maddy says, explaining how she keeps the action consistent between takes, but that's only one reason her motto is “Never trust the actors.” Maddy is nothing like the stiletto-wearing models who fawn over the show’s handsome stars, and it’s been hard for her to find a good match when the actors on set seem to be the only men available—although the hot new cast member, Adam Devin, is surprisingly down-to-earth. Maddy thinks she’s found the perfect compromise in her buttoned-up boss, Craig, but when her typecasting fails to match reality, she’ll have to decide whether to stick to the script or follow her heart. Their relationship is put to the test when they decide to pitch a reality TV series based on the ski-resort town where Maddy grew up. It takes a long time to build up to the main conflict—the show could either save the flailing town or exploit its residents, depending on how it’s handled—but the second half delivers a big emotional payoff. Whether she's shaking in her high heels as she pitches the show to a room full of bored executives, cringing at a heavily edited “sizzle reel” that shows her neighbors in a bad light, or agonizing over how invisible she would feel standing next to a star on the red carpet when she pictures a new relationship with Adam, Maddy's fight for a non-Hollywood ending is about as Hollywood as it gets.

With a lovable heroine and industry gossip, Sweeney’s latest goes behind the scenes and straight to the heart.

Pub Date: June 3, 2014

ISBN: 978-1-4013-1105-6

Page Count: 320

Publisher: Hyperion

Review Posted Online: April 21, 2014

Kirkus Reviews Issue: May 1, 2014

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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  • New York Times Bestseller


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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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