by Alissa Holder & Zulekha Holder-Young ; illustrated by Nneka Myers ‧ RELEASE DATE: July 26, 2022
An uplifting tale that will convince all kids that they, too, are super.
Ayaan loves being a superhero.
On the playground, Ayaan, who has dark brown skin and black hair, runs from friend to friend with his cape trailing behind him, helping however he can. When Aria needs a push on the swings, he is there. When Elijah and Atara need help scaling the rock wall, he is happy to lend a hand. But when he hears David and Brian (brown-haired with dark skin and black-haired with light skin, respectively) laughing at him (“You don’t look like a superhero to me”), Ayaan removes his cape and loses his fire. After school, his father, who has dark brown skin and long black locs, can tell that Ayaan is upset. When Ayaan tells him why, his father says, “Even though your friends may not have seen many superheroes that look like you, superheroes are everywhere,” and he explains that “anyone can be a superhero, including you.” He asks Ayaan what makes him amazing, and Ayaan comes up with several things—he’s kind, brave, and helpful—before donning his cape again. This short, simple tale is a strong social-emotional read-aloud. The illustrations are bright, cartoonlike, and engaging, and Ayaan is an appealing protagonist who faces the unkindness of his peers but rises above it. (This book was reviewed digitally.)
An uplifting tale that will convince all kids that they, too, are super. (Picture book. 4-7)Pub Date: July 26, 2022
ISBN: 978-0-593-32732-6
Page Count: 32
Publisher: Flamingo Books
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Alissa Holder & Zulekha Holder-Young ; illustrated by Nneka Myers
by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Jay Fleck
by Jonathan Stutzman ; illustrated by Jay Fleck
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by Margarita del Mazo ; illustrated by Silvia Álvarez ‧ RELEASE DATE: Nov. 10, 2015
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Margarita del Mazo ; illustrated by Guridi ; translated by Cecilia Ross
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by Margarita del Mazo ; illustrated by Guridi ; translated by Cecilia Ross
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