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BEETLE & THE HOLLOWBONES

From the Beetle Books series , Vol. 1

This inclusive fantasy adventure passes the Bechdel test with flying colors.

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This splashy fantasy graphic novel blends rollicking adventure with inclusive teen themes.

Though bustling with goblins, witches, ghosts, and skeletons, this beautifully drawn graphic novel addresses important questions facing even mortal kids. It tells the story of Beetle, a young goblin and aspiring witch who is torn between hanging out at the mall with pal Blob Ghost and serious study. When childhood friend Kat Hollowbone returns to Beetle’s town to apprentice with her sorceress aunt, it disrupts Beetle’s friendship with Blob Ghost as well as Beetle’s ideas about identity and relationships. The story quickly develops urgency as Kat’s aunt emerges as a villain intent on demolishing the mall, thereby endangering Blob Ghost, who is bound to that location. Layne’s renderings of her paranormal cast are highly evocative. Green-skinned Beetle has large, pointy ears and a tufted tail; skeletal Aunt Hollowbones has a spindly bird skull for a head. Climactic action scenes are expertly rendered. Diversity is a strength in this female-driven text, which features a tenderly portrayed LGBTQ+ love story between Kat and Beetle. Wise older women act as mentors, body diversity is casually positive, and Blob Ghost uses they/them pronouns throughout. Amid the fantasy elements, Beetle, Kat, and Blob Ghost text, video chat, post pictures online, and look at one another’s social media feeds—and Beetle is forced, grumbling, to take the bus to the mall.

This inclusive fantasy adventure passes the Bechdel test with flying colors. (Graphic fantasy. 10-14)

Pub Date: Aug. 4, 2020

ISBN: 978-1-5344-4153-8

Page Count: 256

Publisher: Atheneum

Review Posted Online: April 11, 2020

Kirkus Reviews Issue: May 1, 2020

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  • New York Times Bestseller

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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