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A MEMORY OF LIGHT

From the Until The Stars Are Dead series , Vol. 1

An understated and atmospheric tale from a strong new voice in the genre.

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Barkley’s debut fantasy novel sees a fiercely independent young thief forced into partnership with a novice sorcerer.

Twenty-two-year-old Ari is a loner and a thief, living wild with her animal companion, a bobcat named Jag. Ari lost her parents at age 7 and her mentor when she was 16. Since then, it has been just her and Jag, and that’s the way she likes it. But Ari has debts, and to fulfill her obligations and keep her thieving reputation intact, she undertakes to steal a dragith stone from the far-off Capital city. The job requires her to travel across country that’s blighted by civil war and to partner with 24-year-old Ely, a seemingly happy-go-lucky young magic user. Ari is accomplished with a sword and a knife, but the journey is quite dangerous. It’s been a number of years since the Malavi people overthrew the monarchy, with the Zaerans as their opposition. Many have died throughout the land since then, and magical beings have been driven into hiding. Ari’s quest is not one of romance or valor but one of bleak necessity and survival. Can she retrieve the dragith stone and resume her old life—or will her family history rear its head? Barkley writes in the third person, almost exclusively from Ari’s point of view but occasionally from Ely’s. The prose is accomplished and the storytelling confident, spurning genre clichés and developing at its own measured pace. Ari is a well-drawn protagonist, and her backstory emerges gradually. Her fortitude and competence will gain readers’ respect, and her lack of sociability makes for a pleasing contrast to Ely—a more open character but one with hidden depths. Jag’s presence adds the perfect measure of warmth. The world in which they journey has dark undertones, as if familiar fantasy elements have rotted away and left a dead-hearted dystopia in their place. Barkley keeps the dialogue realistic and exposition to a minimum, letting the journey define its own stakes. The result is a measured but engaging first installment in a series that offers much promise.

An understated and atmospheric tale from a strong new voice in the genre.

Pub Date: May 10, 2021

ISBN: 978-1-63752-963-8

Page Count: 330

Publisher: Atmosphere Press

Review Posted Online: April 22, 2021

Kirkus Reviews Issue: June 15, 2021

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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  • New York Times Bestseller

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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