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A MEMORY OF LIGHT

From the Until The Stars Are Dead series , Vol. 1

An understated and atmospheric tale from a strong new voice in the genre.

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Barkley’s debut fantasy novel sees a fiercely independent young thief forced into partnership with a novice sorcerer.

Twenty-two-year-old Ari is a loner and a thief, living wild with her animal companion, a bobcat named Jag. Ari lost her parents at age 7 and her mentor when she was 16. Since then, it has been just her and Jag, and that’s the way she likes it. But Ari has debts, and to fulfill her obligations and keep her thieving reputation intact, she undertakes to steal a dragith stone from the far-off Capital city. The job requires her to travel across country that’s blighted by civil war and to partner with 24-year-old Ely, a seemingly happy-go-lucky young magic user. Ari is accomplished with a sword and a knife, but the journey is quite dangerous. It’s been a number of years since the Malavi people overthrew the monarchy, with the Zaerans as their opposition. Many have died throughout the land since then, and magical beings have been driven into hiding. Ari’s quest is not one of romance or valor but one of bleak necessity and survival. Can she retrieve the dragith stone and resume her old life—or will her family history rear its head? Barkley writes in the third person, almost exclusively from Ari’s point of view but occasionally from Ely’s. The prose is accomplished and the storytelling confident, spurning genre clichés and developing at its own measured pace. Ari is a well-drawn protagonist, and her backstory emerges gradually. Her fortitude and competence will gain readers’ respect, and her lack of sociability makes for a pleasing contrast to Ely—a more open character but one with hidden depths. Jag’s presence adds the perfect measure of warmth. The world in which they journey has dark undertones, as if familiar fantasy elements have rotted away and left a dead-hearted dystopia in their place. Barkley keeps the dialogue realistic and exposition to a minimum, letting the journey define its own stakes. The result is a measured but engaging first installment in a series that offers much promise.

An understated and atmospheric tale from a strong new voice in the genre.

Pub Date: May 10, 2021

ISBN: 978-1-63752-963-8

Page Count: 330

Publisher: Atmosphere Press

Review Posted Online: April 22, 2021

Kirkus Reviews Issue: June 15, 2021

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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