Full indeed, and yet, even so, more episodic than epic.
In a mythical Chinese kingdom, members of an ancient sisterhood fight, die, and practice sorcery for one another as they struggle to survive.
In the semifeminist kingdom of Syai, young girls, whether heirs to the throne or daughters of seamstresses, vow eternal loyalty to those of their peers whom they find compatible. The oath of jin-shei that they take imposes numerous obligations and transcends all other loyalties. Like a gang of blood brothers, these superheroines try to save not only their sisters but the empire itself in a richly imagined but rather wooden narrative that begins and ends with Tai, the daughter of an accomplished seamstress. While visiting the palace with her mother, Tai becomes the sister of the teenager Little Empress Antian, heir to the throne. Tai’s loyalty is soon tested, however, when the Summer Palace is destroyed by earthquake and all the Imperial family are killed except Liudan, third in line of succession. When the dying Antian asks Tai to look after her sister Liudan, Tai agrees and is soon sister to the new Empress. This relationship will make her life and those of her six other sisters increasingly difficult and dangerous. In separate chapters, those other six are introduced: Xaforn, an orphan raised by the Imperial Guard to be a soldier; crippled Nhia, known for her wisdom; Qiaan, who has a strong social conscience and a secret in her past; Khailin, an alchemist; Tamary, who is descended from royalty and gypsies; and Yuet , a healer. As Liudan consolidates her imperial power, her siblings become increasingly involved in preserving her kingdom, which is soon threatened by powerful enemies led by the evil sorcerer Lihui, who raped Nhia and forced Khailin to marry him. All the sisters are soon caught up in struggle that will take many of their lives.
Full indeed, and yet, even so, more episodic than epic.Pub Date: April 27, 2004
ISBN: 0-06-056341-9
Page Count: 448
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
None of the characters shine enough to inspire or enlighten readers.
A tale of several generations of women cursed to love men who love other women.
As the book opens, Gabriela Siton relates the story of her mother Luna’s death, and in describing her final year, Yishai-Levi, a journalist and nonfiction author, captures the family dynamic and lays out the drama—Luna doesn’t get along with Gabriela; she’s unhappy with her husband, David; she didn’t get along with her mother, Rosa; and all this has left Gabriela at loose ends. Gabriela seeks answers from her Aunt Allegra in Tel Aviv, trying to understand the family “curse,” and then the book shifts mostly to Rosa’s and Luna’s viewpoints. It abruptly shifts back in the end to Gabriela’s, skipping over years, when earlier, the narrative plodded slowly through days. There are so many characters that we only get a brief look at some of them, and so many disappointments and heartbreaks that they begin to lose their impact. Ordinary lives can be made beautiful, but when they belong to characters who are either unsympathetic or rudimentary, they are rendered ineffective. The characters’ faith, which influences so many of the important decisions in their lives, mostly comes across as routine, habit, or even superstition. Some of the characters become involved in the struggle for modern Israel, and their political fervor is similarly underdeveloped.
None of the characters shine enough to inspire or enlighten readers.Pub Date: April 5, 2016
ISBN: 978-1-250-07816-2
Page Count: 384
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
Detectives, doctors, and dastardly scoundrels abound in this fascinating historical novel.
Luring women with the false promise of a safe, albeit illegal, abortion, a serial killer is on the loose in 1880s New York City.
In this sequel to The Gilded Hour (2015), Donati returns to a time when female doctors were viewed with surprise if not outright hostility. Cousins Anna and Sophie Savard have earned their professional medical training, both turning to practice primarily on women. Grieving the recent death of her attorney husband, Cap, from tuberculosis, Sophie plans to use her inheritance to establish scholarships and a welcoming home for women pursuing medical studies. Happily married to Jack Mezzanotte, a detective investigating the killings with his partner, Oscar Maroney, Anna is a highly accomplished surgeon, but they have just lost custody of the children they were fostering, children the church wants raised by Catholics. The sprawling Savard family blends multiple ethnicities, including Italian, Mohawk, and African American, and Donati crafts strong female characters who draw upon the wisdom of their ancestors to transcend the slings and arrows of petty racism and sexism. She juxtaposes these women, thriving on the energies of the zeitgeist advancing women’s rights, with the villains, who sink into the muck of dubious morality crusades, such as the anti-contraception and anti-abortion campaigns of Anthony Comstock and the xenophobic orphanage system run by the Roman Catholic Church. Through Sophie’s and Anna’s work, Donati sketches in the historical backdrop of reproductive challenges in late-19th-century America: Women dying in childbirth, women dying to avoid childbirth, women and babies mangled by medical quacks, and children drugged to the point of death just to keep peace in the nursery. The wounds inflicted by the serial killer caused prolonged, severely painful deaths, suggesting not inept but malicious intent. And as the Drs. Savard assist Jack and Oscar in their investigation, another woman goes missing.
Detectives, doctors, and dastardly scoundrels abound in this fascinating historical novel.Pub Date: Sept. 10, 2019
ISBN: 978-0-425-27182-7
Page Count: 672
Publisher: Berkley
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
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